Open CUBE / CUBE Lecture - Archiv

Hier finden Sie vergangene Open CUBE & CUBE Lecture Veranstaltungen

Dienstag, 14.12.2021, 18:00 Uhr

CUBE Lecture - Damian Stewart - Masculinities and Videogames: A Concise Introduction
in Kooperation mit dem ZfG

Abstract:
This talk offers an introduction to the ways masculinities function in and through videogames. Masculinity Studies and Game Studies are both marginal fields of research within the academy; bringing them together reveals a broad and largely untapped field of inquiry. Starting with an overview of Masculinity Studies and Game Studies more generally, I will then sketch out a typology of some of the ways that masculinities have been invoked in recent scholarship about videogames. By indicating what has already been written about masculinities in videogames, and by showing the diverse things that scholars have found that masculinities do in videogames — alongside some of the things videogames do to masculinities — I hope to cast light on the vast space of inquiry bounded by these terms, and encourage inquisitive researchers out into a field that, so far, remains largely untapped.

Bio:
Damian Stewart has been active in numerous fields as a researcher, musician, software engineer, and artist for over 20 years. He has worked as a tools engineer for AAA games, as a software specialist for museum and art installations, and as a developer on numerous software music systems. His wide-ranging, interdisciplinary work typically involves a system-oriented focus on interactions between software and the social and affective fields of its users/audiences. Damian is currently completing an MA in Anglophone Literatures and Cultures at the University of Vienna.

Freitag, 29.10.2021, 10:00 Uhr

CUBE Lecture - mit Detlef Heusinger, Künstlerischer Leiter/artistic director
SWR Experimentalstudio Freiburg

Donnerstag, 27.01.2021, 19:00 Uhr

Online-Semesterkonzert der Studierenden von Computermusik

https://opencube.wixsite.com/semesterkonzert

Dienstag, 13.10.2020 , 20:00 Uhr
Open CUBE "on-location" | Herz-Jesu Kirche Sparbersbachgasse 58

Im Rahmen der Open CUBE Konzertreihe präsentiert Schallfeld Ensemble in der Herz Jesu Kirche drei Stücke für Soloinstrumente und Live-Elektronik des kanadischen Komponisten Alec Hall, Styrian Artist in Residence 2020.

Myriam García Fidalgo, Olivia de Prato und Aleksey Vylegzhanin werden "U.L.F." für Violoncello und Live-Elektronik, "There are only two ways to see inside someone" für Violine und Live-Elektronik (UA) und "Boehner, Barack, Bloomberg" für Orgel und Live-Elektronik zur Aufführung bringen.

SCHALLFELD ENSEMBLE
Myriam García Fidalgo – Violoncello
Olivia de Prato – Geige
Aleksey Vylegzhanin – Orgel

Alec Hall - live electronics
Batuhan Gülcan - technical assistance

Bio: Born in Toronto in 1985, Alec Hall lives in New York City, where he works on the nature of acoustic materials in the post-Avant-Garde musical landscape. Through samples and field recordings, he engages non-musical subjects within an extensive body of work that focuses on labor conditions in China, environmental destruction in Canada, state violence in America, animal cognition, (un)wellness, and beyond. Hall’s music has been premiered by some of the most preeminent ensembles and soloists throughout the world, among them his own collective, Qubit, which produced his opera, “The House of Influence” in 2018. He has been the recipient of numerous honors and awards, including a Guggenheim Fellowship, a Fromm commission, and the 2019 Jules Léger Prize.

Montag, 12.10.2020 18:00 Uhr
CUBE, IEM, Inffeldgasse 10/3

Artist Talk: Alec Hall (CND)
Styrian Artist in Residence 2020

Musical composition in the 21st century has largely become a cyclical discourse on the materials themselves used to create 21st century music. Most New Music is just one element among many in the cultural residue spawned from the endless neoliberal drift. As Rem Koolhaas writes in Junkspace, “Change has been divorced from the idea of improvement. There is no progress; like a crab on LSD, culture staggers endlessly sideways.” Jacque Attali’s belief that music is "a way of perceiving the world… a tool of understanding… the audible waveband of the vibrations and signs that make up society". If we are to create music today that resonates with that description, we’re going to have to interact with the signs that make up society in sound, and not just in a conceptual play of deconstructing the histories and aesthetics of the musical Avant-Garde.

Dienstag, 10.3.2020

Dienstag, 10.3.2020, 13:15 Uhr
CUBE Lecture - Faust and the Edge of Chaos Library
Dario Sanfilippo

Dienstag, 10.3.2020, 19:00 Uhr
CUBE Lecture - The synthesis of music and sound through distributed adaptation in audio feedback networks
Dario Sanfilippo

Dienstag, 10.3.2020, 20:00 Uhr
Open CUBE - Constructing Realities
Dario Sanfilippo, Batuhan Gülcan - Klangregie

> Programm

Mittwoch, 22. Jänner 2020, 16:00 Uhr

CUBE Lecture - Abstractions, architecture and agency: how can we exploit machine autonomy as a tool for composition?

Donnerstag 16. Jänner 2020, 19:00 Uhr

Open CUBE - Studierende der Computermusik präsentieren ihre Semesterarbeiten, Konzert 2

Studierende von Marko Ciciliani, Gerhard Eckel, Daniel Mayer

Batuhan Gülcan, Klangregie

Sepehr Karbassian, Tommaso Settimi, Jonas Schändlinger / DeRayling, Peter Stiegler, Ina Thomann, Anzor Ghudushauri, Alyssa Aska, Antonia Manhartsberger, Anna Arkushyna;

Installationen von Korin Rizzo, Michele Seffino und Sebastian Scholz

> Programm

Mittwoch 15. Jänner 2020, 19:00 Uhr

Open CUBE - Studierende der Computermusik präsentieren ihre Semesterarbeiten, Konzert 1

Studierende von Marko Ciciliani, Gerhard Eckel, Daniel Mayer

Batuhan Gülcan, Klangregie

Dominik Lekavski, Nico Mohammadi, Brian Questa, John-Robin Bold, Jürgen Mayer, Eva Patchanit Berger, Roman Gavryliuk, Pablo Abelardo Mariña Montalvo, Alexandru Spanu, Patricia Enigl, Alisa Kobzar;

Installationen von Korin Rizzo, Michele Seffino und Sebastian Scholz

> Programm

Mittwoch, 08. Jänner 2020, 20:00 Uhr

Open CUBE - Live-Elektronik

Computermusik Bachelor Studierende der LV "Live-Elektronik" von David Pirrò

> Programm

Dienstag, 10.12.2019, Lecture 18:00 Uhr, Konzert 19:00 Uhr

CUBE Lecture -Sorcerer's Notebook - Mario Verandi
Open CUBE - Portrait Concert Mario Verandi
Mario Verandi, Batuhan Gülcan - Klangregie

Mario Verandi is an Argentinean-born composer and sound artist living in Berlin. He primarily works with new technologies as an aid to exploring and expanding the boundaries of sound, space and perception. Mario´s work is wide-ranging and includes electroacoustic compositions, sound installations, live performances, music for dance, radio works and collaborations with musicians and visual artists. More recently he is working on an electronic/ambient music project. Mario Verandi studied music in Argentina and later at the Phonos Music Studios in Barcelona. He continued his studies at the University of Birmingham (UK) where he completed a doctorate in Electroacoustic Music Composition . After having lived in London for almost ten years, he moved to Berlin in 2001 as a guest of the Artists-in Berlin program of the DAAD (German Academic Exchange Service). He was composer-in-residence at the Electronic Studios of the AdK Berlin, La Muse en Circuit (France), Césaré Studio (France), TU-Studios Berlin, ZKM (Germany) and Cuenca Electroacoustic Music Studios (Spain). He was guest lecturer at the Musicology Department of the Free University Berlin in 2003-2004. His works have been performed worldwide and featured at festivals such as Multiphonies GRM (Paris), Donaueschinger Musiktage, Kontakte (Berlin), MärzMusik (Berlin), Open House Contemporary Argentine Art Exhibition (London), International Poetry Festival (Berlin), Stockholm Electronic Art Festival and Interactive Futures (Canada).

> Programm

Donnerstag, 28.11.2019 um 19:00 Uhr

Open CUBE - Modulated Landscape - Audiovisuelles Konzert
mit Darien Brito, Ecuador/Niederlande

The concert consists of two works that follow an abstract narrative, moving from minimalistic audiovisual landscapes to rich textures and forms. "Strange Attractors" is a real-time live performance, heavily influenced and built around chaotic systems. "On Unquantifiable Boundaries" is a purely synthetic sound piece, that attempts mimicking sonic properties of hallucinated organisms.

Bio:
Darien Brito (1987) is a sound artist, multimedia programmer and audiovisual performer. He holds a BA from the Royal Conservatory of The Hague and an MA from the Institute of Sonology.
As a composer and sound artist, Darien has created works for many different formats; from solo instrument pieces to chamber music, orchestral works, electronics, music for theatre, film and opera, as well as for contemporary dance and installations.
As an audiovisual artist, he focuses on the creation of generative live performances using audio, real-time computer graphics and light. He actively works as a programmer and consultant for other artists and is often involved in multidisciplinary collaborations using technology.
Darien is fascinated by micro-sound, machine learning and complexity theory. He is interested in an experiential approach to performance, specialising in artistic work founded in strong sensorial experiences.

> Programm

Donnerstag, 27.06.2019, Beginn: Installationen 18:00 Uhr, Konzert 19:00 Uhr

Studierende der Studienrichtungen "Computermusik" und "Elektrotechnik-Toningenieur" präsentieren ihre neuesten Werke.
Vor den Konzerten um 19:00h sind ab 18:00h im 3.Stock Klanginstallationen zu erleben.

Die Arbeiten entstanden in den Lehrveranstaltungen "Installationskunst" & "Klangkunst" von Veronika Mayer, "Künstlerisches Gestalten mit Klang" von IOhannes m zmölnig, sowie "Praktikum Medienkomposition", "Generative Musik" & "Algorithmische Komposition" von Gerhard Nierhaus.

Dienstag, 25.06.2019, 18:00 Uhr

CUBE Lecture - On Quantum Computing for Music

Konzert 1: Donnerstag, 20. Juni 2019, 19:00 Uhr
Konzert 2: Freitag, 21. Juni 2019, 19:00 Uhr

Donnerstag, 20. Juni 2019, 19:00
Open CUBE - Studierende der Computermusik präsentieren ihre Semesterarbeiten, Konzert 1
Studierende von Marko Ciciliani, Gerhard Eckel und Daniel Mayer
Davide Gagliardi, Klangregie

Freitag, 21. Juni 2019, 19:00
Open CUBE - Studierende der Computermusik präsentieren ihre Semesterarbeiten, Konzert 2
Studierende von Marko Ciciliani, Gerhard Eckel und Daniel Mayer
Davide Gagliardi, Klangregie

> Programm

Dienstag, 18. Juni 2019, 20:00 Uhr

Open CUBE - Live-Elektronik

Lula Romero, Teonas Borsetto, Gianluca Iadema, Alexandru Spanu : Computermusik Bachelor Studierende der LV "Live-Elektronik" von David Pirrò

> Programm

Donnerstag, 13. Juni 2019, 18:00 Uhr

CUBE Lecture - Beschallungstechnik - Entwicklungen und Anwendungen mit Wolfgang Ahnert

Professor Wolfgang Ahnert hat in München 2018 die Helmholtz-Medaille der Deutschen Gesellschaft für Akustik als Anerkennung erhalten für seinen ausdauernden Einsatz und seine Vorreiterschaft in der Simulation von Raumakustik und Beschallungstechnik. Von ihm stammt das Fachbuch "Beschallungstechnik - Grundlagen und Praxis" und die gängigen professionellen Simulations- und Messwerkzeuge EASE und Systune werden von seiner Firma entwickelt. Wir freuen uns, dass wir ihn in Graz zu Gast haben dürfen.

Der Beitrag will die Beschallungstechnik in ihrer Entwicklung über die letzten 100 Jahre darstellen. In den 1920er Jahren begann der Bau von Lautsprechern und Mikrofonen, was die theoretische Auseinandersetzung von Abstrahl- und Bündelungsverhältnissen forcierte. Spezielle Beschallungslösungen (mit Hornstrahlern, Blatthallern, Tonpilzen etc.) entstanden jedoch erst in den 1930er Jahren mit dem aufkommenden Tonfilm und den Großbeschallungen insbesondere von Stadien. Nach dem Krieg fanden Schallzeilen als neuartige Lautsprecher-Entwicklungen breite Anwendung, die auch zu einer Reihe praktischer Vorschläge für den Aufbau von Beschallungsanlagen führte. Erst in den1970er Jahren gelang es, Zusammenhänge zwischen Mikrofonen, Verstärkern und Lautsprechern im Raum und im Freifeld systematisch zuuntersuchen und quantitativ zu erfassen. Mit zunehmender Nutzung von Rechentechnik wurden auf dieser Basis Computerprogramme erarbeitet, die sogleich auch erste Simulationen noch auf Großrechnern möglich machten. In den 1990er Jahren entstanden schließlich Datenbanken über dieakustischen Eigenschaften von Lautsprechern, wodurch Schallpegelverteilungen und Verständlichkeitswerte auf Hörerflächen berechnet werden konnten. Ab 2000 wurden jedoch Lautsprecherdatenformate bedeutsam, die nun neben der Amplitude auch die aktuelle Phasenlage berücksichtigen und die somit das Abstrahlverhalten von Line Arrays oder digital gesteuerten Schallzeilen korrekt berechnen lassen. Eine ähnliche Entwicklung ist nun schrittweise bei den Mikrofondaten zu beobachten. Anwendungsbeispiele erläutern die einzelnen Perioden der dargestellten Entwicklung.

Dienstag, 14.05.2019, 19:00 und 20:00 Uhr

Dienstag, 14.05.2019, 19:00 Uhr

CUBE Lecture - Realität und Artifizialität
Martina Claussen, Kenn Mouritzen

Dienstag, 14.05.2019, 20:00 Uhr

Open CUBE - Martina Claussen - Kenn Mouritzen
Werke von Martina Claussen und Kenn Mouritzen
Martina Claussen, Kenn Mouritzen - Klangregie
Davide Gagliardi - Technik

Montag 06.05.2019, 19:30 Uhr

Open CUBE - Inter_agency

Gerhard Eckel, Artemi-Maria Gioti, Eduardo Miranda, Ludvig Elblaus, Margarethe Maierhofer-Lischka, Patrick Skrilecz, Giacomo Lepri.

> Programm

Montag, 8. April 2019, 14:00 Uhr

CUBE Lecture - Einführung in die Audio Forensik

Christian Kuke, LKA Baden-Württemberg, Cyberkriminalität/Digitale Spuren, Stuttgart

Dienstag, 02. April 2019, 18:00 Uhr

Open CUBE - Tag der offenen Tür der Computermusik

Konzert mit Werken Studierender des Bachelor und Masterstudiums Computermusik

Mit Beiträgen von Benedikt Alphart, Anna Arkushina, Teonas Borsetto und Jonas Schändlinger

Klangregie: Davide Gagliardi

Lecture: Dienstag, 26.03.2019, 12:00 Uhr, IEM CUBE
Workshop: Dienstag, 26.03.2019, 13:00 Uhr, am Areal des Campus

CUBE Lecture: Sound and Wonder - the sound art theatre of Ray Lee
Dienstag, 26.3. 12:00 IEM CUBE

Can sound be used to generate a state of wonderment? Sound artist Ray Lee creates kinetic sound sculptures, large-scale performances and installations that immerse his audiences in a whirling and spinning sound world. In this Lecture Ray talks about some of the ideas behind his works, including his fascination with invisible forces such as radio waves, electricity and magnetism and how they have led to making art works that have taken him all over the world. He will also introduce his latest work in development Congregation and offer participants a chance to try out the work for themselves during the afternoon.

Ray Lee is a multi-award-winning composer and artist.His monumental outdoor work Chorus has been touring nationally and internationally since 2013 with appearances as part of major outdoor programmes organised by Lieux Publics in Marseilles, the National Theatre, WOMAD, the Southbank, Hong Kong International Arts Festival, Georgetown Festival in Penang, ZAT Montpelier, Warsaw Contemporary Music Festival, Connected Cities in Seoul, South Korea, a Circulate tour of four London venues and at festivals in Melbourne and Romania to name a few. Chorus was shortlisted for the 2014 British Composer of the Year award and he won the British Composer of the Year award for the highly inventive music theatre project The Ethometric Museum.

His world-wide hit Siren has been performed over three hundred and fifty times in eighteen countries across three continents and continues to tour internationally. Force Field was awarded an honorary mention in the 2008 Prix Ars Electronica for Digital Music. His recent work Ring Out was cocommissioned by OCM receiving a PRS New Music Biennial award. Ring Out has been presented at Hull City of Culture and London Southbank as well as Newbury and Oxford. A recording of the work was broadcast on BBC Radio 3. He is a Professor of Sound Art at Oxford Brookes University and an associate artist of OCM (Oxford Contemporary Music).
www.invisible-forces.com

***

Workshop: Klanginstallation Congregation
Dienstag, 26.3. 13:00 am Areal des Campus

Wir ersuchen um verbindliche Anmeldung zum Workshop über bergner(at)iem.at

First come, first serve. Sollte es mehr als 10 InteressentInnen geben, kommt es zu einem zweiten Termin um 13:45. Bitte nehmen Sie Handschuhe mit, das Metall kann im Freien kalt werden.

You are invited to a testing event!
The Sonic Spheres will guide you to a secret location using sound alone.
Starting in groups from different city locations, all the spheres wish to gather in a central location. You, the sphere carrier, will become part of a sci-fi procession leading to a congregation of musical spheres. You then become a member of an electronic musical orchestra as you explore the final location.
Notes:
This is an outdoor event that requires you to walk for the duration, so please dress appropriately!
The spheres are metal so bring a pair of gloves as its winter!
Your job is to keep the sphere happy by going in the right direction. Remember, only the sphere knows where you are being taken! If you go the right way it will let you know by making a ‘happy’ sound, but if you start to go the wrong way it will sound 'sad'. If you go too far in the wrong direction it will start to sound cross! Keep your sphere happy and find out where you are being taken to and why…

Dienstag, 19. März 2019, 19:00 Uhr

Alexander Schubert – WIKI-PIANO.NET (2018, Austrian Premiere)
Claudia Molitor – You touched the twinkle on the helix of my ear (2018, Austrian Premiere)
Christopher Fox – Five Characters in Search of a Form (2018, Austrian Premiere)
Nicole Lizée – Scorsese Etudes (2018, Austrian Premiere)

Zubin Kanga performs newly commissioned works for piano and multimedia,
drawing from a range of inspirations including internet culture, film, TV, video art
and sci-fi culture.

Alexander Schubert’s WIKI-PIANO.NET is constantly recomposed by the internet community. Claudia Molitor uses video of her own hands to create a gestural dialogue with the pianist. Christopher Fox creates a dialogue between the onstage pianist and their onscreen doppelganger in a work exploring adaptation, translation and transformation. And Nicole Lizée continues her celebrated series of film auteur-based works with an exploration of the iconic films of Martin Scorsese.

> Programm

Montag, 11. März 2019, 18:00 Uhr

CUBE Lecture - „Roots of the Moment“ - Ausgewählte Aspekte der Improvisation im Schaffen von PAULINE OLIVEROS (1932-2016)

Elisabeth Harnik

Die amerikanische Akkordeonistin, Komponistin, Improvisationskünstlerin, Autorin, Pädagogin, Humanistin, Pionierin und Visionärin der elektronischen Musik hat mit dem Einsatz von Improvisation, elektronischen Mitteln, Ritual und Meditation ein visionäres Werk geschaffen.

Der Vortrag bezieht sich auf das breite Sprektrum ihrer Improvisationspraxis als Performerin und die unterschiedlichen Perspektiven der Improvisation in ihrer lebenslangen Praxis des Deep Listening®, in ihren Werken und Schriften in denen die Künstlerin explizit über den Prozess des Improvisierens reflektiert und Ausblicke auf die Zukunft bietet.

Deep Listening ist eine von Pauline Oliveros entwickelte multi-dimensionale Praxis mit der Intention, kreative Innovation jenseits aller Grenzen und Fähigkeiten zu fördern, „im Streben nach einem erweiterten Bewusstsein für die Welt der Klänge und die Klänge der Welt“. Bedeutsam dabei sind für sie die Erweiterungsmöglichkeiten durch Technologie. Deep Listening bedeutet für Oliveros, in jedem Augenblick absolut alles auf jede nur erdenkliche Art zu (er)hören – egal ob beim Komponieren, beim Improvisieren oder im täglichen Leben.

Montag, 4. März 2019, 16:00 Uhr

CUBE Lecture - GRM Today

François Bonnet

Montag, 4. März 2019, 9:00 Uhr

CUBE Lecture - Physical modelling of speech production

Rémi Blandin

For historical and technical reasons, the study of speech has long been limited to a narrow frequency range comprised between 0 and 5 kHz. Nowadays, with the progress of research and technology, the high frequency speech spectrum above 5 kHz is gaining more interest.
This implies new challenges for the physical modelling of speech production, since neglected phenomena with a low frequency assumption must be accounted for. Thus, the so widely used plane wave assumption meets its limitation and the whole complexity of the three dimensional acoustic field needs to be modelled. Indeed, at high frequency, anti-resonances and additional resonances that are not predicted by this simple model are observed and predicted by more accurate simulations. The concept of a unique vocal tract transfer function becomes itself obsolete, since the speech directivity becomes more pronounced and complex. Indeed, in addition to a more complex diffraction of the radiated sound by the head and the torso, the features of the internal 3D acoustic field may influence the directivity.
As a consequence, the transfer functions differ considerably depending on the receiving point considered. However, much work is still required to characterise the relationship between the physical phenomena and their consequences on perception.

Montag, 28.01.2019, 19:00 Uhr

Netzwerkkompositionen für 3D Umgebungen – Semesterarbeiten der LV Computermusik und Multimedia

Studierende von Marko Ciciliani

Donnerstag, 24.01.2019, 19:00 Uhr und
Freitag, 25.01.2019, 19:00 Uhr

Open CUBE Studierende der Computermusik präsentieren ihre Semesterarbeiten

Studierende von Marko Ciciliani, Gerhard Eckel und Daniel Mayer

Davide Gagliardi, Klangregie

> Programm

Dienstag 15.01.2019, 18:45 Uhr

CUBE Lecture - Gender at the core of computer music

Hannah Bosma, University of Amsterdam

In this lecture, I will explore how computer/electronic music is related to gender on various levels. I will discuss gender structure (“who does what”) and gender symbolism (gendered representations) of computer/electronic music, and how gender is intertwined with its fundamental notions such as technology, authorship, performance and composition. I will show both the persistence and the transgression of stereotypical gender roles and representations. Awareness of the various ways that gender is engrained in computer/electronic music may contribute to a fairer and more open playing field, and bring inspiration and fun. In this journey we will encounter hybrid figures such as stuttering cyborgs, electronic cries or musical washing machines.
Hannah Bosma lectures on gender and music technology at the KUG (winter semester 2017-18 and 2018-19). 2019 - 2023, she will undertake her "Veni" postdoc research project "Preservation as performance: liveness, loss and viability in electroacoustic music" at the University of Amsterdam, funded by the Dutch national organization for scientific research NWO. Her publications include: The Electronic Cry: Voice and Gender in Electroacoustic Music (2013, PhD dissertation), and articles in journals and books such as Organised Sound (2003, 2017), Contemporary Music Review (2016), The Routledge Companion to Sounding Art (2017) and Cathy Berberian: Pioneer of Contemporary Vocality (Ashgate 2014). In 2016 she organized the conference The Art of Voice Synthesis in Amsterdam (www.artificialvoice.nl).

Montag, 14.01.2019, 18:00 Uhr

CUBE Lecture - The Digital in Digital Art

Mario Verdicchio, PhD von der University of Bergamo, Italy

Theorising over the relation between art and digital technology is challenging, because a new layer of analysis on the artistic use of computers was added in the 1960s over a debate on art that was far from over. Some technological and sociotechnical aspects of computers must be taken into account to form a more complete picture on what is going on in digital art. Technological characteristics of computers depend on the physical properties of their components, while their sociotechnical aspects derive from the fact that these artefacts are conceived, designed, built, and deployed in society. Dealing with electronics on the one hand and with companies on the other may not look relevant for a discourse in aesthetics, but computers are fundamentally dependent on these aspects of reality and, thus, an enquiry on what digital art is must take off from this standpoint.

Mario Verdicchio on himself:
"My PhD was about Artificial Intelligence, specifically about autonomous agents. Many of my subsequent research activities have stemmed from this topic. In particular, I have published conference papers, journal papers and book chapters on Autonomous Technology and Philosophy of Artificial Intelligence.
During my lectureship at the University of Bergamo, Italy I taught in a number of different schools, including Communication Studies. This activity stimulated a new research endeavour of mine about the relation
between technology and humanities and, more in general, between technology and society. I have published a book on Digital Humanities and conference and journal papers on Science, Technology and Society.
My work as a visual artist and my activity as a computer scientist have found a stimulating common ground in the context of Computer Art. My interests in this field have become more concrete with the creation of the xCoAx international conference series. I have co-edited all the proceedings and the journal special issues connected to this event and also published a number of conference papers and book chapters on the topic of Computer Art."

Freitag, 14.12.2018, 19:00 Uhr

Open CUBE - Live-Elektronik

Computermusik Bachelor Studierende präsentieren Arbeiten aus der Lehrveranstaltung Live-Elektronik von David Pirrò
Teonas Borsetto, Gianluca Iadema, Alexandru Spanu

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2021

CUBE Lecture - Damian Stewart

CUBE Lecture - Detlef Heusinger

Open CUBE - Semesterkonzert CM - online

2020

Open CUBE - Herz-Jesu Kirche

CUBE Lecture - Alec Hall

Open CUBE und CUBE Lecture - Dario Sanfilippo

CUBE Lecture - Jack Walker

Open CUBE - Studierendenkonzert 2

Open CUBE - Studierendenkonzert 1

Open CUBE - Live-Elektronik

2019

Open CUBE und CUBE Lecture - Mario Verandi

Open CUBE - Darien Brito

Open CUBE - Studierendenkonzert

CUBE Lecture - Eduardo Miranda

Open CUBE - Studierende der Computermusik präsentieren ihre Semesterarbeiten

Open CUBE - Live-Elektronik

CUBE Lecture - Wolfgang Ahnert

Open CUBE und CUBE Lecture - Martina Claussen, Kenn Mouritzen

Open CUBE - Inter_agency

CUBE Lecture - Einführung in die Audio Forensik

Open CUBE - Tag der offenen Tür der Computermusik

CUBE Lecture - Sound and Wonder - the sound art theatre of Ray Lee

Open CUBE - Zubin Kanga – WIKIPIANO

CUBE Lecture - Gender und Musiktechnologie

CUBE Lecture - GRM Today

CUBE Lecture - Physical modelling of speech production

Open CUBE - Studierendenkonzert

Open CUBE - Studierendenkonzert

CUBE Lecture - Gender und Musiktechnologie

CUBE Lecture - The Digital in Digital Art

2011 - 2018

Open CUBE - Live-Elektronik

Open CUBE - Workshop - Joachim Heintz

Open CUBE und CUBE Lecture - Luigi Marino

IMMERSION - Studierendenkonzert

CUBE Lecture - Jeffrey E. Boyd

Open CUBE - Participatory Electronic Music

CUBE Lecture - Fabio Morreale und Giacomo Lepri

Open CUBE - Studierendenkonzert

CUBE Lecture - Die Kontingenz des Materials

Open CUBE und CUBE Lecture - "THOUNDS" - bringing the sounds of the internet of things to Your space

Laborkonzert - Responsive Space

Digital:Analog

Open CUBE - Hörbare Ökosysteme

Round Table Diskussion

Open CUBE - Tag der offenen Tür

Open CUBE, Lecture- Performance mit Eric Per Nyström

Open CUBE und CUBE Lecture - Daniel Mayer: Matters

Beyond Cinema

Open CUBE - The Third Guy

Open CUBE - Studierendenkonzert BA und MA Computermusik

Open CUBE - Algorithms that Matter: Plausible/Unplausible

Open CUBE - Live-Elektronik

CUBE Lecture mit Andrea Valle & Mauro Lanza

Open CUBE - Till Bovermann

Open CUBE - Paule Perrier

Open CUBE - Studierendenkonzert

Open CUBE - Studierendenkonzert

Open CUBE – Live-Elektronik

Open CUBE - Joel Diegert

Open CUBE und CUBE Lecture - Elisabeth Schimana