Publikationen

Zeige Ergebnisse 1 bis 25 von 53.

2021
Eckel, G. Künstliche Ohren. In Karlheinz, E., Uhrmann, E. , K.O.P.F. (pp. 83-97). Limbus Verlag, Innsbruck (Österreich), 2021.
Eckel, G. Das Geräusch der Ameisenstrasse. In Karlheinz, E., Uhrmann, E. , K.O.P.F. (pp. 127-135). Limbus Verlag, Innsbruck (Österreich), 2021.
2020
Elblaus, L., Eckel, G. utruchirp: an impulse response measurement and auralisation tool developed for artistic practice. ( Groß-Vogt, K., Höldrich, R. ). Proceedings of the 15th International Conference on Audio Mostly (Audio Mostly 2020 - a conference on interaction with sound) . 2020.
Elblaus, L., Eckel, G. Acoustic modelling as a strategy for composing site-specific music. ( Groß-Vogt, K., Höldrich, R. ). Proceedings of the 15th International Conference on Audio Mostly (Audio Mostly 2020 - a conference on interaction with sound) . 2020.
2019
Eckel, G. Future Perspectives: The voice in computer music composition. In Howard, D., Nix, J., Welch, G. , The Oxford Handbook of Singing (pp. 1091-1093). Oxford University Press, Oxford (Vereinigtes Königreich), 2019.
2017
Eckel, G., Schwab, M., Pirrò, D. DA TA. MER. Paper Kunsthalle, Gent (Belgien), 2017.
Eckel, G., Pirrò, D., Rumori, M. Stop challenging technology! Towards content-based audio production. ( VDT, D. ). Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017) . 2017.
Eckel, G., Pirrò, D., Rumori, M. Stop challenging technology! Towards content-based audio production. ( VDT, D. ). Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017) . 2017.
Eckel, G., Schwab, M., Pirrò, D. DA TA. MER. Paper Kunsthalle, Gent (Belgien), 2017.
2015
Eckel, G. Konzertsaal. In Badura, J., Dubach, S., Haarmann, A., Mersch, D., Rey, A., Schenker, C., Toro Pérez, G. , Künstlerische Forschung – Ein Handbuch (pp. 307-310). Diaphanes, Zürich (Schweiz), 2015.
Eckel, G. Konzertsaal. In Badura, J., Dubach, S., Haarmann, A., Mersch, D., Rey, A., Schenker, C., Toro Pérez, G. , Künstlerische Forschung – Ein Handbuch (pp. 307-310). Diaphanes, Zürich (Schweiz), 2015.
2014
Eckel, G., Rumori, M. StiffNeck: The Electroacoustic Music Performance Venue in a Box. ( Georgaki, A. ). Proceedings of the International Computer Music Conference 2014 (International Computer Music Conference) . 2014.
Eckel, G., Rumori, M. StiffNeck: The Electroacoustic Music Performance Venue in a Box. ( Georgaki, A. ). Proceedings of the International Computer Music Conference 2014 (International Computer Music Conference) . 2014.
2013
Eckel, G. Improvisation as Epistemic Practice. ( Frisk, H., Österjö, S. ). (re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation) . 2013.
Eckel, G. Improvisation as Epistemic Practice. ( Frisk, H., Österjö, S. ). (re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation) . 2013.
2012
Eckel, G., Rumori, M., Pirrò, D., Gonzalez-Arroyo, R. A Framework for the Choreography of Sound. ( Ciglar, M. ). Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference) . 2012.
Eckel, G. Embodied Generative Music. In Dorschel, A., Eckel, G., Peters, D. , Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity (pp. 141-151). Routledge, New York (Vereinigte Staaten (USA)), 2012.
Eckel, G., Rumori, M., Pirrò, D., Gonzalez-Arroyo, R. A Framework for the Choreography of Sound. ( Ciglar, M. ). Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference) . 2012.
Eckel, G. Embodied Generative Music. In Dorschel, A., Eckel, G., Peters, D. , Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity (pp. 141-151). Routledge, New York (Vereinigte Staaten (USA)), 2012.
2011
Dombois, F., Eckel, G. Audification. In Hermann, T., Hunt, A., Neuhoff, J. , The Sonification Handbook (pp. 141-151). Logos, Berlin (Deutschland), 2011.
Dombois, F., Eckel, G. Audification. In Hermann, T., Hunt, A., Neuhoff, J. , The Sonification Handbook (pp. 141-151). Logos, Berlin (Deutschland), 2011.
Eckel, G., Pirrò, D. Physical modelling enabling enaction: an example. ( NIME, 2. ). Proceedings of the International Conference on New Interfaces for Musical Expression . 2011.
Eckel, G., Pirrò, D. Physical modelling enabling enaction: an example. ( NIME, 2. ). Proceedings of the International Conference on New Interfaces for Musical Expression . 2011.
Rutz, H., Miranda, E., Eckel, G. Reproducibility and Random Access in Sound Synthesis. ( Clarke, M. ). Proceedings of the International Computer Music Conference (International Computer Music Conference) . 2011.
Rutz, H., Miranda, E., Eckel, G. Reproducibility and Random Access in Sound Synthesis. ( Clarke, M. ). Proceedings of the International Computer Music Conference (International Computer Music Conference) . 2011.
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