Publikationen

2017

Wendt, F. Investigations on Perceptual Phenomena of the Precedence Effect using a Bessel Sequence. ( Angus, J., Sporer, T. ). Proceedings of the 142nd AES Convention (AES 142nd Convention) . 2017.

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Sharma-Thiel, G. Are Loudspeaker Arrays Musical Instruments?. ( Zotter, F. ). Proceedings (ICSA Graz 2017) . 2017.

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Höldrich, R. Artistic Research at the University of Music and Performing Arts Graz - Interim Assessment and Perspectives. In Impett, J. , Artistic Research in Music: Discipline and Resistance (pp. 254-258). Leuven University Press, Leuven (Belgien), 2017.

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Höldrich, R. Horizonte des Hörens - Betrachtungen zur Akustischen Ökologie und zum Sounddesign. In Coelsch-Foisner, S. , Reihe Wissenschaft und Kunst: Transmedialisierung Universitätsverlag Winter, Heidelberg (Deutschland), 2017.

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2016

Goudarzi, V. ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART. ( Hamburg, U. ). Proceedings of the Sound and Music Computing Conference 2016 . 2016.

Rumori, M. Konstruierte Räume. Ästhetische Implikationen von Verfahren und Werkzeugen der Binauraltechnik. ( Theile, G. ). 29. Internationale Tonmeistertagung des VDT . 2016.

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Zmölnig, J. Audience Perception of Code. International Journal of Performance Arts and Digital Media, 12 (2): pp. 207-212, 02 2016.

Rutz, H. Marking a Space of Algorithmicity. ( Carvalhais, M., Clifford, A., Rangel, A., Verdicchio, M. ). Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx) . 2016.

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Goudarzi, V. Exploration of sonification design process through an interdisciplinary workshop. ( Fagerlönn, J. ). Proceedings of the Audio Mostly 2016 . 2016.

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Goudarzi, V. Exploration of sonification design process through an interdisciplinary workshop. ( Fagerlönn, J. ). Proceedings of the Audio Mostly 2016 . 2016.

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2015

Goudarzi, V. Exploration of sonification design process through an interdisciplinary workshop. Journal on multimodal user interfaces, 01 2015.

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Höldrich, R. Die Begegnung mit dem Neuen suchen - 50 Jahre IEM. In Scheib, C., Strubinsky, U. , Musikprotokoll ORF, Wien (Österreich), 2015.

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Eckel, G. Konzertsaal. In Badura, J., Dubach, S., Haarmann, A., Mersch, D., Rey, A., Schenker, C., Toro Pérez, G. , Künstlerische Forschung – Ein Handbuch (pp. 307-310). Diaphanes, Zürich (Schweiz), 2015.

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Nierhaus, G. Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Springer, Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)), 2015.

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Ciciliani, M. Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik. In Hajdu, G. , 10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg HfMT Hamburg, Hamburg (Deutschland), 2015.

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Goudarzi, V. Designing an Interactive Audio Interface for Climate Science. IEEE multiMedia, 01 2015.

Frank, M. Simple Uncertainty Prediction for Phantom Source Localization. ( Becker, S. ). Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA) . 2015.

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2014

Zotter, F. Ambisonic Decoding with Constant Angular Spread. Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics, 100 (5): pp. 928-936, 04 2014.

Frank, M. How to make Ambisonics sound good. ( Wiciak, J. ). Proceedings of Forum Acusticum (Forum Acusticum) . 2014.

Goudarzi, V. Contextual Inquiry for a Climate Audio Interface. In Blashki, K. , Human-Computer Interfaces and Interactivity: Emergent Research and Applications IGI Global, Hershey, PA (Vereinigte Staaten (USA)), 2014.

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Frank, M. Localization Using Different Amplitude-Panning Methods in the Frontal Horizontal Plane. ( Weinzierl, S. ). Proceedings of EAA Joint Symposium on Auralization and Ambisonics (EAA Joint Symposium on Auralization and Ambisonics) . 2014.

Brandner, M. 3D sound source localization using a spherical microphone array. ( Silzle, A. ). Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen) . 2014.