Publikationen
BRIR Synthesis Using First-Order Microphone Arrays.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
The Institute of Sonic Epistemologies. Life-world Fiction within Augmented Auditory Space.
Acoustic Space Journal,
17
02
2018.
Design and Measurement of First-Order, Horizontally Beam-Controlling Loudspeaker Cube.
(
).
144th AES Convention Milan
.
2018.
Körper.
(
).
xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
.
2018.
Plausible Auditory Augmentation of Physical Interaction.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Reflection properties influencing the precedence effect.
(
).
44. Jahrestagung für Aksutik DAGA
.
2018.
Dynamische Richtwirkung von Musikinstrumenten.
Akustik Journal,
02
2018.
Gemeinfreie Gitarren-Aufnahmen in Studioqualität.
Poster at Jahrestagung für Akustik DAGA 2018 München in München (Deutschland),
DEGA (Deutschland),
DEGA (Deutschland),
2018.
Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation.
Presence. teleoperators and virtual environments,
26
(2):
pp. 111-137,
02
2018.
Augmentation of an Institute's Kitchen: an Ambient Auditory Display of Electric Power Consumption.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Comparison of different approaches for calculation of sound radiation from an open pipe with a flow.
(
).
Proceedings ICTCA 2017 (ICTCA 2017)
.
2017.
PdLint.
Poster at PdMiniCon2017 in Berlin (Deutschland),
New Blankets (Vereinigte Staaten (USA)),
New Blankets (Vereinigte Staaten (USA)),
2017.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Phantom Source Widening by Filtered Sound Objects.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
The Temporality of (un|non)selection.
(
).
Proceedings of the Fifth Conference on Computation, Communication, Aesthetics and X (xCoAx 2017)
.
2017.
Prediction of the listening area based on the energy vector.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
Token of Enunciation in Multimedia Performance.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Zuhören, orientieren, flanieren. Explorationen in binauralen Räumen.
Poster at 33. Jahrestagung der DGM Musik und Bewegung" in Universität Hamburg (Deutschland)",
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
2017.
The Influence of the Floor Reflection on the Perception of Sound Elevation.
(
).
Fortschritte der Akustik
.
2017.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
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