Publikationen
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Articulation of Climate Scientists vis-à-vis Data Analysis and Sonification.
International journal of human - computer studies,
01
2015.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Producing 3D Audio in Ambisonics.
(
).
Proceedings of AES 57th Conference (AES 57th Conference on The Future of Audio Entertainment Technology)
.
2015.
Augmented Audification.
Proceedings ICAD 2015 (ICAD 2015)
.
2015.
In-car Active Sound Generation for enhanced feedback in vehicles with combustion engines or electric engines.
(
).
Proc International Conference on Auditory Display 2015 (Proc ICAD 20125)
.
2015.
(
).
Proceedings of ICSA 2015.
(International Conference on Spatial Audio 2015
).
Verband Deutscher Tonmeister,
1700 Institut 17 Elektronische Musik und Akustik,
2015.
Spherical microphone array equalization for Ambisonic playback.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
SONIFICATION OF A STREAMING-SERVER LOGFILE.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Advancements in 3D Audio using Ambisonics.
(
).
TECNIACUSTICA'15
.
2015.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
Simple Uncertainty Prediction for Phantom Source Localization.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
What we already know about spatialization with compact spherical arrays as variable-directivity loudspeakers.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Generalized tangent law for horizontal pairwise amplitude panning.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik.
In
,
10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg
HfMT Hamburg,
Hamburg (Deutschland),
2015.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015).
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2015.
Evaluating a method for the analysis of performance practices in electronic music.
(
).
International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
.
2015.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
REFLECTIONS ON AN INTERDISCIPLINARY DESIGN PROCESS USING A SONIFICATION FRAMEWORK.
Proceedings ICAD 2015 (Proceedings ICAD 2015)
.
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
The Effect of Audiovisual Congruency on Short-Term Memory of Serial Spatial Stimuli: A Pilot Test.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Publikationsjahr
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Klang und Raum (16)
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sonification (6)
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