Publikationen
From Artificial to Extended Intelligence in Music Composition.
Organised Sound,
01
2020.
Focused Audification and the optimization of its parameters.
Journal on multimodal user interfaces,
01
2019.
Virtual 3D Environments as Composition and Performance Spaces.
Journal of New Music Research,
02
2019.
Evaluation of Three Auditory-Sculptural Qualities Created by an Icosahedral Loudspeaker.
Applied Sciences,
9
(13):
07
2019.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
The Institute of Sonic Epistemologies. Life-world Fiction within Augmented Auditory Space.
Acoustic Space Journal,
17
02
2018.
Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation.
Presence. teleoperators and virtual environments,
26
(2):
pp. 111-137,
02
2018.
Ereignis. Ephemeres, Flüchtiges.
Wind-Tunnel-Bulletin,
7
02
2018.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
Emille. the Journal of the Korean Electro-Acoustic Music Society,
02
2018.
Dynamische Richtwirkung von Musikinstrumenten.
Akustik Journal,
02
2018.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker.
Computer music journal,
41
(3):
pp. 50-68,
11
2017.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Auditory Distance Control Using a Variable-Directivity Loudspeaker.
Applied Sciences,
02
2017.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Articulation of Climate Scientists vis-à-vis Data Analysis and Sonification.
International journal of human - computer studies,
01
2015.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
Publikationsjahr
Publikationsart
Zeitschriftenartikel (70)
Themenfeld
Computermusik (10)
Embodiment (1)
Klang und Raum (2)
Live-Elektronik (2)
Psychoakustik (17)
Sonifikation (6)
Spatial Audio (21)
Schlagwort
Ambisonics (1)
audience (1)
code (1)
live coding (1)
perception (1)
psycho acoustics (1)
readability (1)