Publikationen
Translating Sonifications.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(11):
pp. 926-935,
01
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
All-Round Ambisonic Panning and Decoding.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(10):
pp. 807-820,
11
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
Pitch Shifting of Audio Signals using the Constant-Q Transform.
(
).
Proceedings of 15th International Conference on Digital Audio Effects Conference
.
2012.
Energy-Preserving Ambisonic Decoding.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
98
(1):
pp. 37-47,
02
2012.
Assessment of Active Noise Cancelling Headphones.
(
).
IEEE Proceedings of the ICCE Berlin 2012 (International Conference on Consumer Electronics, Berlin)
.
2012.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
Time-Domain Translation Operators for the Fast-Multipole-Method.
(
).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Holofonie für Musikinstrumente.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Multimodal Interaction with Speaker Arrays.
Poster at AERFAI Summer School on Pattern Recogntion in Multimodal Human Computer Interaction in Vigo (Spanien),
Gradient (Spanien),
Gradient (Spanien),
2012.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
ACOUSTIC INTERFACE FOR TREMOR ANALYSIS.
(
).
Proc. International Conference on Auditory Display (ICAD 2012)
.
2012.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Spherical Slepian functions for approximation of spherical measurement data.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Investigations on cylindrical microphone arrays.
(
).
Proc. oft the 4th Ambisonics Sympoisum (25th AES UK Conference: Spatial Audio in Today’s 3D World in association with the 4th International Symposium on Ambisonics and Spherical Acoustics)
.
2012.
Sounds of simulations: data listening space.
(
).
Proc. International Computer Music Conference 2012 (International Computer Music Conference 2012)
.
2012.
Chirping Stars.
(
).
Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display)
.
2012.
Interaction of audioviual cues in the perception of sound trajectories.
Poster at International Conference on Music Perception and Cognition 2012 in Thessaloniki (Griechenland),
Aristotle University (Griechenland),
Aristotle University (Griechenland),
2012.
Localization of Amplitude-Panned Stereophonic Phantom Sources in the Horizontal Plane.
Journal of the Audio Engineering Society. audio, acoustics, applications,
01
2012.
sound plates as piano interface.
(
).
Re-new - IMAC 2011 Proceedings (IMAC 2011)
.
2012.
Publikationsjahr
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Publikationsart
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Klang und Raum (22)
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sonification (5)
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climatology (2)
computer music (2)
focus (2)
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