Publikationen
ACOUSTIC INTERFACE FOR TREMOR ANALYSIS.
(
).
Proc. International Conference on Auditory Display (ICAD 2012)
.
2012.
Multimodal Interaction with Speaker Arrays.
Poster at AERFAI Summer School on Pattern Recogntion in Multimodal Human Computer Interaction in Vigo (Spanien),
Gradient (Spanien),
Gradient (Spanien),
2012.
Time-Domain Translation Operators for the Fast-Multipole-Method.
(
).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Subjective Sound Quality Evaluation of a Codec for Digital Wireless Transmission.
(
).
Proceedings of the AES 132nd Convention (AES 132nd Convention)
.
2012.
Sounds of simulations: data listening space.
(
).
Proc. International Computer Music Conference 2012 (International Computer Music Conference 2012)
.
2012.
Assessment of Active Noise Cancelling Headphones.
(
).
IEEE Proceedings of the ICCE Berlin 2012 (International Conference on Consumer Electronics, Berlin)
.
2012.
Joint spherical beamforming for the analysis of reflections in rooms.
(
).
Proceedings of the Acoustics 2012 in Hong Kong (Acoustics 2012 Hong Kong)
.
2012.
Holofonie für Musikinstrumente.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Spherical Slepian functions for approximation of spherical measurement data.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Localization of Amplitude-Panned Stereophonic Phantom Sources in the Horizontal Plane.
Journal of the Audio Engineering Society. audio, acoustics, applications,
01
2012.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Chirping Stars.
(
).
Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display)
.
2012.
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration.
(
).
Proc. I2MTC, IEEE Conference
.
2012.
Music Structure Discovery.
AV Akademiker Verlag GmbH & Co. KG,
Saarbrücken (Deutschland),
2012.
Comprehensive measurements of head influence on a supercardioid microphone.
(
).
132th AES convention papers (132nd AES Convention, Budapest)
.
2012.
All-Round Ambisonic Panning and Decoding.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(10):
pp. 807-820,
11
2012.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
next generation 4.0 Festival ZKM Karlsruhe.
University of Music and Performing Arts Graz,
Graz (Austria),
2012.
Musical Experience beyond audible Sound.
(
).
ICMC 2012
.
2012.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
Robotic Piano Player Making Pianos Talk.
(
).
Creativity rethinks science (Proceedings of SMC 2011 8th Sound and Music Computing Conference)
.
2011.
Automatic Detection of the Musical Structure within Pieces of Music.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2011.
Reconstructing sound source directivity in virtual acoustic environments.
In
,
Principles and Applications of Spatial Hearing
World Scientific Publishing Co Pte Ltd,
Sendai (Japan),
2011.
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