Publikationen
DIY Modifications for Acoustically Transparent Headphones.
(
).
Proceedings of AES 148th Convention (AES 148th Convention)
.
2020.
Influence of horizontal loudspeaker layout geometry on sweet area shape for widened/diffuse frontal sound.
(
).
Proceedings of 148th AES Convention (148th AES Convention)
.
2020.
Online Seashore-Test für musikalische Begabung.
Forum Neue Medien in der Lehre Austria,
pp. 26-27,
08
2020.
From Artificial to Extended Intelligence in Music Composition.
Organised Sound,
07
2020.
Artificial Intelligence for Music Composition.
In
,
The Handbook of Artificial Intelligence for Music
Springer,
Springer-Verlag, Berlin, Heidelberg (Deutschland),
2020.
Augmented Practice-Room - Augmented Acoustics in Music Education.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Listening experiment on the plausibility of acoustic modeling in virtual reality.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Directivity pattern measurement of a grand piano for augmented acoustic reality.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Signal-independent approach to variable-perspective (6DoF) audio rendering from simultaneous surround recordings taken at multiple perspectives.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Binaural Rendering with Measured Room Responses: First-Order Ambisonic Microphone vs. Dummy Head.
Applied Sciences,
10
(5):
03
2020.
Online und Zusammen.
Forum Neue Medien in der Lehre Austria,
pp. 5-7,
06
2020.
A pilot study on the influence of mouth configuration and torso on singing voice directivity.
Journal of the Acoustical Society of America,
09
2020.
Spatial and Timbral Fidelities of Binaural Ambisonics Decoders for Main Microphone Array Recordings.
(
).
Proceedings of 2019 AES International Conference on Immersive and Interactive Audio (2019 AES International Conference on Immersive and Interactive Audio)
.
2019.
Improving Externalization in Ambisonic Binaural Decoding.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Models of spherical and rectangular cuboid loudspeaker arrays.
(
).
Proceedings of the International Congress on Acoustics (International Congress on Acoustics)
.
2019.
Perceptual Evaluation of Spatial Resolution in Directivity Patterns.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language.
In
,
AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
(pp. 287-291).
University of Nottingham,
Nottingham (Vereinigtes Königreich),
2019.
Design and control of mixed-order spherical loudspeaker arrays.
(
).
Proc. ICMC (International Conference on Computer Music / New York Electronic Music Festival)
.
2019.
Perceptual Evaluation of Variable-Orientation Binaural Room Impulse Response Rendering.
(
).
Proceedings of 2019 AES International Conference on Immersive and Interactive Audio (2019 AES International Conference on Immersive and Interactive Audio)
.
2019.
Focused Audification and the optimization of its parameters.
Journal on multimodal user interfaces,
01
2019.
How binaural room impulse responses influence the externalization of speech.
(
).
DAGA 2019 (Forstschritte der Akustik - DAGA 2019)
.
2019.
Evaluating out-of-head localization of a dry source from the front reproduced with cue-preserving headphones.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Data-Driven Auditory Contrast Enhancement For Everyday Sounds And Sonifications.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2019.
The influence of different BRIR modification techniques on externalization and sound quality.
(
).
Proceedings on the Spatial Audio Signal Processing Symposium (Proceedings on the Spatial Audio Signal Processing Symposium)
.
2019.
Time projection chamber.
Poster at Code of the Universe in Karl Franzens Universität Graz (Österreich),
Institut für Physik, KFU (Österreich),
Institut für Physik, KFU (Österreich),
2019.
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