Publikationen
Convected Wave Equation for a Moving Body in an Inhomogeneous Flow.
(
).
Proc ISNVH 2018 (ISNVH 2018)
.
2018.
Dynamische Richtwirkung von Musikinstrumenten.
Akustik Journal,
02
2018.
Binaural – Das andere Stereo. Ästhetik und Technik auditiv vermittelter Räume.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker.
Computer music journal,
41
(3):
pp. 50-68,
11
2017.
The Influence of the Floor Reflection on the Perception of Sound Elevation.
(
).
Fortschritte der Akustik
.
2017.
Investigations on Perceptual Phenomena of the Precedence Effect using a Bessel Sequence.
(
).
Proceedings of the 142nd AES Convention (AES 142nd Convention)
.
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
Evaluation of Interactive Localization in Virtual Acoustic Scenes.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Exploring the perceptual sweet area in Ambisonics.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Comparison of spatial audio rendering systems for ITU BS2051 standard loudspeaker layouts.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
(
).
Proceedings of 2017 ICAD
.
2017.
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
A Method for Subjective Analysis of Audiovisual Works.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Artistic Research at the University of Music and Performing Arts Graz - Interim Assessment and Perspectives.
In
,
Artistic Research in Music: Discipline and Resistance
(pp. 254-258).
Leuven University Press,
Leuven (Belgien),
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
Poster at DAGA 2017 in Christian-Albrechts-Universität zu Kiel (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
2017.
Prediction of the listening area based on the energy vector.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
The Temporality of (un|non)selection.
(
).
Proceedings of the Fifth Conference on Computation, Communication, Aesthetics and X (xCoAx 2017)
.
2017.
A Simple Model of the Far-Field Directivity of an Open Circular Pipe with a Hot Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Soundtransformations based on the Modulation Power Spectrum.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
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