Publikationen
REFLECTIONS ON AN INTERDISCIPLINARY DESIGN PROCESS USING A SONIFICATION FRAMEWORK.
Proceedings ICAD 2015 (Proceedings ICAD 2015)
.
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Die Begegnung mit dem Neuen suchen - 50 Jahre IEM.
In
,
Musikprotokoll
ORF,
Wien (Österreich),
2015.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
The Effect of Audiovisual Congruency on Short-Term Memory of Serial Spatial Stimuli: A Pilot Test.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Dimitri Papageorgiou/Interlocking and Scaling.
In
,
Patterns of Intuition
(pp. 111-139).
Springer,
Dordrecht (Niederlande),
2015.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition.
Springer,
Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)),
2015.
SysSon: A Sonification Platform for Climate Data.
Poster at EGU - European Geosciences Union General Assembly in Austria Center Vienna (Österreich),
EGU - European Geosciences Union (Österreich),
EGU - European Geosciences Union (Österreich),
2014.
How to make Ambisonics sound good.
(
).
Proceedings of Forum Acusticum (Forum Acusticum)
.
2014.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Elevation of Horizontal Phantom Sources.
(
).
Fortschritte der Akustik, DAGA 2014
.
2014.
Audio Quality: Comparision of PEAQ and formal listening test results.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Feedback Loop Shaping for Active Noise Control With Constraints of the Worst Case Secondary Paths.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Towards an Aesthetic of Electronic Music Performance Practice.
(
).
International Conference for Live Interfaces Proceedings (International Conference for Live Interfaces)
.
2014.
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration.
(
).
Proceedings of ICMC/SMC (ICMC/SMC)
.
2014.
Sound Optimization for Downsized Engines.
(
).
8th International Styrian Noise, Vibration & Harshness Congress: The European Automotive Noise Conference
.
2014.
Measurement-Based Modal Beamforming Using Planar Circular Microphone Arrays.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Evaluation of hear-through sound localization.
(
).
CHI '14 Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI 2014)
.
2014.
Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework.
University of Plymouth (Vereinigtes Königreich),
University of Plymouth (Vereinigtes Königreich),
2014.
Towards an Aesthetic of Electronic Music Performance Practice.
(
).
ICMC_SMC_2014_Proceedings (SMC/ICMC proceedings 2014)
.
2014.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
A Matlab Toolbox for Efficient Perfect Reconstruction Time-Frequency Transforms with Log-Frequency Resolution.
(
).
Audio Engineering Society (53rd Conference on Semantic Audio)
.
2014.
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