Publikationen
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Augmented Audification.
Proceedings ICAD 2015 (ICAD 2015)
.
2015.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Producing 3D Audio in Ambisonics.
(
).
Proceedings of AES 57th Conference (AES 57th Conference on The Future of Audio Entertainment Technology)
.
2015.
Simple Uncertainty Prediction for Phantom Source Localization.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
What we already know about spatialization with compact spherical arrays as variable-directivity loudspeakers.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik.
In
,
10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg
HfMT Hamburg,
Hamburg (Deutschland),
2015.
Generalized tangent law for horizontal pairwise amplitude panning.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Sound Focusing in Rooms Using a Source with Controllable Directivity.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
REFLECTIONS ON AN INTERDISCIPLINARY DESIGN PROCESS USING A SONIFICATION FRAMEWORK.
Proceedings ICAD 2015 (Proceedings ICAD 2015)
.
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Die Begegnung mit dem Neuen suchen - 50 Jahre IEM.
In
,
Musikprotokoll
ORF,
Wien (Österreich),
2015.
Investigation of auditory objects caused by directional sound sources in rooms.
Acta physica Polonica,
128
pp. 5-10,
01
2015.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
The Effect of Audiovisual Congruency on Short-Term Memory of Serial Spatial Stimuli: A Pilot Test.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Augmented Audification Blending between Audification and an Auditory Graph By the examples of noise and ECG data.
Journal on multimodal user interfaces,
01
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
Exploration of sonification design process through an interdisciplinary workshop.
Journal on multimodal user interfaces,
01
2015.
Dimitri Papageorgiou/Interlocking and Scaling.
In
,
Patterns of Intuition
(pp. 111-139).
Springer,
Dordrecht (Niederlande),
2015.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Auditory assistance for timing presentations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
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