Publikationen
Musical Experience beyond audible Sound.
(
).
ICMC 2012
.
2012.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
Latency tolerance enhancement in in-ear monitoring systems.
(
).
Proceedings of DAGA 2012 (DAGA)
.
2012.
Investigations on cylindrical microphone arrays.
(
).
Proc. oft the 4th Ambisonics Sympoisum (25th AES UK Conference: Spatial Audio in Today’s 3D World in association with the 4th International Symposium on Ambisonics and Spherical Acoustics)
.
2012.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Phase Unwrapping on the Sphere for Directivity Functions and HRTFs.
(
).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Translating Sonifications.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(11):
pp. 926-935,
01
2012.
SysSon - A Systematic Procedure to Develop Sonifications.
(
).
Proceedings of the International Conference on Auditory Display (Proc. ICAD 2012)
.
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
Ambisonic panning with constant energy constraint.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
'Dirty Light': approaching lighting in audio-cisual contexts beyond its material-immanent properties.
(
).
Musica Nova VII (Musica Nova VII)
.
2012.
A Speech Database for Stress Monitoring in the Cockpit.
Proceedings of the Institution of Mechanical Engineers, Part G: Journal of Aerospace Engineering,
02
2012.
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
Waveguides in sonification.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
Designing simulacra or the electronic replication of a mechanical instrument.
(
).
Proceedings of the 9th Sound and Music Computing Conference (SMC Sound and Music Computing Conference)
.
2012.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue.
(
).
Proceedings of the Linux Audio Conference 2012 (Linux Audio Conference 2012)
.
2012.
Performance Review of an Expert Listening Panel.
(
).
Fortschritte der Akustik 2012 (DAGA 2012)
.
2012.
Waveguides in sonification.
Poster at Sound and Music Computing Conference 2012 in Kopenhagen (Dänemark),
Aalborg University (Dänemark),
Aalborg University (Dänemark),
2012.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
sound plates as piano interface.
(
).
Re-new - IMAC 2011 Proceedings (IMAC 2011)
.
2012.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Energy-Preserving Ambisonic Decoding.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
98
(1):
pp. 37-47,
02
2012.
Interaction of audioviual cues in the perception of sound trajectories.
Poster at International Conference on Music Perception and Cognition 2012 in Thessaloniki (Griechenland),
Aristotle University (Griechenland),
Aristotle University (Griechenland),
2012.
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