Publikationen
In-car Active Sound Generation for enhanced feedback in vehicles with combustion engines or electric engines.
(
).
Proc International Conference on Auditory Display 2015 (Proc ICAD 20125)
.
2015.
SONIFICATION OF A STREAMING-SERVER LOGFILE.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Advancements in 3D Audio using Ambisonics.
(
).
TECNIACUSTICA'15
.
2015.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
What we already know about spatialization with compact spherical arrays as variable-directivity loudspeakers.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Simple Uncertainty Prediction for Phantom Source Localization.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Generalized tangent law for horizontal pairwise amplitude panning.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Sound focusing in rooms using an array with controllable directivity.
Poster at 41. Jahrestagung der DEGA in Nürnberg (Deutschland),
DEGA (Deutschland),
DEGA (Deutschland),
2015.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015).
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2015.
Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik.
In
,
10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg
HfMT Hamburg,
Hamburg (Deutschland),
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Evaluating a method for the analysis of performance practices in electronic music.
(
).
International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
.
2015.
Sound Focusing in Rooms Using a Source with Controllable Directivity.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
REFLECTIONS ON AN INTERDISCIPLINARY DESIGN PROCESS USING A SONIFICATION FRAMEWORK.
Proceedings ICAD 2015 (Proceedings ICAD 2015)
.
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Augmented Audification Blending between Audification and an Auditory Graph By the examples of noise and ECG data.
Journal on multimodal user interfaces,
01
2015.
Die Begegnung mit dem Neuen suchen - 50 Jahre IEM.
In
,
Musikprotokoll
ORF,
Wien (Österreich),
2015.
Investigation of auditory objects caused by directional sound sources in rooms.
Acta physica Polonica,
128
pp. 5-10,
01
2015.
The Effect of Audiovisual Congruency on Short-Term Memory of Serial Spatial Stimuli: A Pilot Test.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
Exploration of sonification design process through an interdisciplinary workshop.
Journal on multimodal user interfaces,
01
2015.
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