Publikationen
Warping of the Recording Angle in Ambisonics.
(
).
Proc. of the International Conference on Spatial Audio 2011
.
2011.
Warping of 3D Ambisonic recordings.
(
).
Proc. 3rd Ambisonics Symposium
.
2011.
Hören! Haltung! Körper und Klangkunst.
Kunsttexte.de [Elektronische Ressource]. kritische Texte und Bilder zur Geschichte der Kunst,
02
2011.
The Audio Mixer as Creative Tool in Musical Composition and Performance.
(Beiträge zur Elektronischen Musik (BEM),
).
private publishing,
Institut für Elektronische Musik und Akustik (Österreich),
2011.
'Dirty Light': approaching lighting in audio-cisual contexts beyond its material-immanent properties.
(
).
Musica Nova VII (Musica Nova VII)
.
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
Pitch Shifting of Audio Signals using the Constant-Q Transform.
(
).
Proceedings of 15th International Conference on Digital Audio Effects Conference
.
2012.
Energy-Preserving Ambisonic Decoding.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
98
(1):
pp. 37-47,
02
2012.
SysSon - A Systematic Procedure to Develop Sonifications.
Proceedings of the International Conference on Auditory Display (Proc. ICAD 2012)
.
2012.
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration.
(
).
Proc. I2MTC, IEEE Conference
.
2012.
Latency tolerance enhancement in in-ear monitoring systems.
(
).
Proceedings of DAGA 2012 (DAGA)
.
2012.
Assessment of Active Noise Cancelling Headphones.
(
).
IEEE Proceedings of the ICCE Berlin 2012 (International Conference on Consumer Electronics, Berlin)
.
2012.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
Translating Sonifications.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(11):
pp. 926-935,
01
2012.
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
ACOUSTIC INTERFACE FOR TREMOR ANALYSIS.
(
).
Proc. International Conference on Auditory Display (ICAD 2012)
.
2012.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Time-Domain Translation Operators for the Fast-Multipole-Method.
(
).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Holofonie für Musikinstrumente.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
sound plates as piano interface.
(
).
Re-new - IMAC 2011 Proceedings (IMAC 2011)
.
2012.
Waveguides in sonification.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
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