Publikationen
Sounds of simulations: data listening space.
(
).
Proc. International Computer Music Conference 2012 (International Computer Music Conference 2012)
.
2012.
Multimodal Interaction with Speaker Arrays.
Poster at AERFAI Summer School on Pattern Recogntion in Multimodal Human Computer Interaction in Vigo (Spanien),
Gradient (Spanien),
Gradient (Spanien),
2012.
Localization of Amplitude-Panned Stereophonic Phantom Sources in the Horizontal Plane.
Journal of the Audio Engineering Society. audio, acoustics, applications,
01
2012.
Holofonie für Musikinstrumente.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Spherical Slepian functions for approximation of spherical measurement data.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration.
(
).
Proc. I2MTC, IEEE Conference
.
2012.
Chirping Stars.
(
).
Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display)
.
2012.
Music Structure Discovery.
AV Akademiker Verlag GmbH & Co. KG,
Saarbrücken (Deutschland),
2012.
Comprehensive measurements of head influence on a supercardioid microphone.
(
).
132th AES convention papers (132nd AES Convention, Budapest)
.
2012.
next generation 4.0 Festival ZKM Karlsruhe.
University of Music and Performing Arts Graz,
Graz (Austria),
2012.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
All-Round Ambisonic Panning and Decoding.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(10):
pp. 807-820,
11
2012.
Musical Experience beyond audible Sound.
(
).
ICMC 2012
.
2012.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
Latency tolerance enhancement in in-ear monitoring systems.
(
).
Proceedings of DAGA 2012 (DAGA)
.
2012.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Investigations on cylindrical microphone arrays.
(
).
Proc. oft the 4th Ambisonics Sympoisum (25th AES UK Conference: Spatial Audio in Today’s 3D World in association with the 4th International Symposium on Ambisonics and Spherical Acoustics)
.
2012.
Phase Unwrapping on the Sphere for Directivity Functions and HRTFs.
(
).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Translating Sonifications.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(11):
pp. 926-935,
01
2012.
Ambisonic panning with constant energy constraint.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
'Dirty Light': approaching lighting in audio-cisual contexts beyond its material-immanent properties.
(
).
Musica Nova VII (Musica Nova VII)
.
2012.
SysSon - A Systematic Procedure to Develop Sonifications.
(
).
Proceedings of the International Conference on Auditory Display (Proc. ICAD 2012)
.
2012.
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