Publikationen
Ambisonics - A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality.
Springer,
Heidelberg (Deutschland),
2019.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Spatial Audio Rendering.
In
,
Quality of Experience
Springer,
Heidelberg (Deutschland),
2014.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Phantom Sources using Multiple Loudspeakers in the Horizontal Plane.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2013.
(
).
EAA Winter School: Cutting Edge in Spatial Audio.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2013.
(
).
Proceedings of ICSA 2015.
(International Conference on Spatial Audio 2015
).
Verband Deutscher Tonmeister,
1700 Institut 17 Elektronische Musik und Akustik,
2015.
Producing 3D Audio in Ambisonics.
(
).
Proceedings of AES 57th Conference (AES 57th Conference on The Future of Audio Entertainment Technology)
.
2015.
Improving Externalization in Ambisonic Binaural Decoding.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Simple Uncertainty Prediction for Phantom Source Localization.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Spatial transformations for the enhancement of Ambisonic recordings.
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
Spherical microphone array equalization for Ambisonic playback.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Localization of multiple acoustic sources with a distributed array of unsynchronized first-order ambisonics microphones.
(
).
Proceedings of the 6th Congress of the Alps Adria Acoustic Association (Congress of the Alps Adria Acoustic Association)
.
2014.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Augmented Practice-Room - Augmented Acoustics in Music Education.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Efficient Phantom Source Widening and Diffuseness in Ambisonics.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration.
(
).
Proceedings of ICMC/SMC (ICMC/SMC)
.
2014.
Simple Reduction of Front-Back Confusion in Static Binaural Rendering.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Experiment on externalization in binaural directional-source auralization.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Application of localization models for vertical phantom sources.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
On the localization of auditory objects created by directional sound sources in a virtual room.
(
).
Tonmeistertagung 2018
.
2018.
Array modes of compact rigid microphone arrays with unconventional shapes.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Generalized tangent law for horizontal pairwise amplitude panning.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
Prediction of the listening area based on the energy vector.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.