Publikationen
Ambisonics - A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality.
Springer,
Heidelberg (Deutschland),
2019.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Spatial Audio Rendering.
In
,
Quality of Experience
Springer,
Heidelberg (Deutschland),
2014.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Phantom Sources using Multiple Loudspeakers in the Horizontal Plane.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2013.
(
).
Proceedings of ICSA 2015.
(International Conference on Spatial Audio 2015
).
Verband Deutscher Tonmeister,
1700 Institut 17 Elektronische Musik und Akustik,
2015.
(
).
EAA Winter School: Cutting Edge in Spatial Audio.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2013.
Variable-Orientation Binaural Room Impulse Response Rendering.
(
).
Tonmeistertagung 2018
.
2018.
Automatic Mixing for Immersive Teleconferencing Systems.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Production and application of room impulse responses for multichannel setups using FLOSS tools.
(
).
Linux Audio Conference 2013 Proceedings (Linux Audio Conference 2013)
.
2013.
Comparison of first-order Ambisonic microphone arrays.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
Detection of Spatial Displacement in Musical Scenes.
(
).
Proc. Forum Acusticum 2011
.
2011.
BRIR Synthesis Using First-Order Microphone Arrays.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Towards understanding and verbalizing spatial sound phenomena in electronic music.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Joint spherical beamforming for the analysis of reflections in rooms.
(
).
Proceedings of the Acoustics 2012 in Hong Kong (Acoustics 2012 Hong Kong)
.
2012.
The Influence of the Floor Reflection on the Perception of Sound Elevation.
(
).
Fortschritte der Akustik
.
2017.
Investigations on Perceptual Phenomena of the Precedence Effect using a Bessel Sequence.
(
).
Proceedings of the 142nd AES Convention (AES 142nd Convention)
.
2017.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Evaluation of Interactive Localization in Virtual Acoustic Scenes.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
How the perception of moving sound beams is influenced by masking and reflector setup.
(
).
Tonmeistertagung 2018
.
2018.
How to make Ambisonics sound good.
(
).
Proceedings of Forum Acusticum (Forum Acusticum)
.
2014.
Kompakte 16-Kanal-Kugellautsprecheranordnung.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Is Sound Field Control Determined at All Frequencies? How Is it Related to Numerical Acoustics?.
(
).
Proc. AES 52nd International Conference (AES 52nd International Conference)
.
2013.