Publikationen
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition.
Springer,
Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)),
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Dimitri Papageorgiou/Interlocking and Scaling.
In
,
Patterns of Intuition
(pp. 111-139).
Springer,
Dordrecht (Niederlande),
2015.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Clemens Gadenstätter/Hidden Grammars.
In
,
Patterns of Intuition
(pp. 85-130).
Springer,
Dordrecht (Niederlande),
2015.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
Alexander Stankovski/Mirrors Within Mirrors.
In
,
Patterns of Intuition
(pp. 189-208).
Springer,
Dordrecht (Niederlande),
2015.
Clemens Nachtmann/Forbidding Harmonies.
In
,
Patterns of Intuition
(pp. 33-57).
Springer,
Springer (Niederlande),
2015.
Djuro Zivkovic/Difference Tones.
In
,
Patterns of Intuition
(pp. 231-255).
Springer,
Dordrecht (Niederlande),
2015.
Chirping Stars.
(
).
Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display)
.
2012.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
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veröffentlicht (17)