Publikationen
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition.
Springer,
Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)),
2015.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language.
In
,
AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
(pp. 287-291).
University of Nottingham,
Nottingham (Vereinigtes Königreich),
2019.
Artificial Intelligence for Music Composition.
In
,
The Handbook of Artificial Intelligence for Music
Springer,
Springer-Verlag, Berlin, Heidelberg (Deutschland),
2020.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
abgedrucktes Interview.
In
,
Composición Algorítmica – matemáticas y ciencias de la computación en la creación musical
Universidad de Quilmes,
Buenos Aires (Argentinien),
2018.
Dimitri Papageorgiou/Interlocking and Scaling.
In
,
Patterns of Intuition
(pp. 111-139).
Springer,
Dordrecht (Niederlande),
2015.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Clemens Gadenstätter/Hidden Grammars.
In
,
Patterns of Intuition
(pp. 85-130).
Springer,
Dordrecht (Niederlande),
2015.
Djuro Zivkovic/Difference Tones.
In
,
Patterns of Intuition
(pp. 231-255).
Springer,
Dordrecht (Niederlande),
2015.
Alexander Stankovski/Mirrors Within Mirrors.
In
,
Patterns of Intuition
(pp. 189-208).
Springer,
Dordrecht (Niederlande),
2015.
Clemens Nachtmann/Forbidding Harmonies.
In
,
Patterns of Intuition
(pp. 33-57).
Springer,
Springer (Niederlande),
2015.
Chirping Stars.
(
).
Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display)
.
2012.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
From Artificial to Extended Intelligence in Music Composition.
Organised Sound,
07
2020.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
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