Publikationen
Zwischenräume - A case study towards an the evaluation of interactive sound installations.
(
).
Proceedings of ICMC|SMC 2014 (ICMC|SMC 2014)
.
2014.
WiLMA-Wireless Largescale Microphone Array.
(
).
Proceedings of the Linux Audio Conference 2014
.
2014.
What we already know about spatialization with compact spherical arrays as variable-directivity loudspeakers.
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Proceedings of inSonic2015 (inSonic2015)
.
2015.
Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 945-955,
10
2014.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
The Influence of the Floor Reflection on the Perception of Sound Elevation.
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).
Fortschritte der Akustik
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2017.
Towards understanding and verbalizing spatial sound phenomena in electronic music.
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).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Spatial and Timbral Fidelities of Binaural Ambisonics Decoders for Main Microphone Array Recordings.
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Proceedings of 2019 AES International Conference on Immersive and Interactive Audio (2019 AES International Conference on Immersive and Interactive Audio)
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2019.
Spherical microphone array equalization for Ambisonic playback.
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).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Spatial impression and directional resolution in the reproduction of reverberation.
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).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Sound focusing in rooms using an array with controllable directivity.
Poster at 41. Jahrestagung der DEGA in Nürnberg (Deutschland),
DEGA (Deutschland),
DEGA (Deutschland),
2015.
Sound Focusing in Rooms Using a Source with Controllable Directivity.
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Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
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2015.
Simple technical prediction of phantom source widening.
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).
Fortschritte der Akustik, AIA-DAGA2013
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2013.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
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).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Spatial Sound With Loudspeakers and Its Perception: A Review of the Current State.
IEEE Signal Processing Letters,
101
(9):
pp. 1920-1938,
12
2013.
Simple Uncertainty Prediction for Phantom Source Localization.
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).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Signal-independent approach to variable-perspective (6DoF) audio rendering from simultaneous surround recordings taken at multiple perspectives.
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).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
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2020.
Spatial transformations for the enhancement of Ambisonic recordings.
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).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
Spatial Audio Rendering.
In
,
Quality of Experience
Springer,
Heidelberg (Deutschland),
2014.
Sweet area size for the envelopment of arecursive and a non-recursive diffusenessrendering approach.
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).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
.
2019.
Source Width of Frontal Phantom Sources: Perception, Measurement, and Modeling.
Archives of Acoustics,
38
(3):
pp. 311-319,
10
2013.
Simple Reduction of Front-Back Confusion in Static Binaural Rendering.
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).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Simulation of Room Transfer Functions with Directivity on the Basis of Modes.
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).
Fortschritte der Akustik - DAGA (DAGA 2017)
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2017.