Publikationen
Working in the Aesthetic Lab.
(
).
Proceedings of the Sensuous Knowledge Conference Bergen (Sensuous Knowledge Conference Bergen)
.
2009.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
utruchirp: an impulse response measurement and auralisation tool developed for artistic practice.
(
).
Proceedings of the 15th International Conference on Audio Mostly (Audio Mostly 2020 - a conference on interaction with sound)
.
2020.
Sonic interaction design: sound, information and experience.
(
).
CHI '08 extended abstracts on Human Factors in Computing Systems (CHI '08)
.
2008.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
Quantum Harmonic Oscillator Sonification.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Physical modelling enabling enaction: an example.
(
).
Proceedings of the International Conference on New Interfaces for Musical Expression
.
2011.
PhysioSonic - movement sonification as auditory feedback.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Perceptual Sparsity Modeled by Simultaneous Masking.
Poster at TELECOM ParisTech Workshop on Music Signal Processing in Paris (Frankreich),
CNRS (Frankreich),
CNRS (Frankreich),
2008.
On Artistic Research in the Context of the Project Embodied Generative Music.
(
).
Proceedings of the 2009 International Computer Music Conference (International Computer Music Conference)
.
2009.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Improvisation as Epistemic Practice.
(
).
(re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation)
.
2013.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
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Computermusik (3)
Embodiment (1)
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veröffentlicht (15)