Publikationen
Endbericht FWF-Projekt.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
Evaluating out-of-head localization of a dry source from the front reproduced with cue-preserving headphones.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Experiment on externalization in binaural directional-source auralization.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Embodiment", Elektroakustische Musik und Expressivität".
Positionen. Texte zur aktuellen Musik,
02
2010.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
FWF-Projekt Zwischenbericht 2007.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2008.
Frequency-dependend amplitude-panning curves.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
Flexible and Intuitive Pointing Method for 3-D Auditory Localization Experiments.
(
).
The Proceedings of The AES 38th International Conference (AES 38th International Conference on Sound Quality Evaluation)
.
2010.
Freer Than Max - porting FTM to Pure data.
(
).
Proceedings of the LAC 2008 (LAC)
.
2008.
Fast multipole boundary element method to calculate head-related transfer functions for a wide frequency range.
The Journal of the Acoustical Society of America,
126
pp. 1280-1290,
09
2009.
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy..
(
).
EAW2015: technology as a tool for creating music: proceedings
.
2015.
Frequency dependent Signal Correlation in.
(
).
Preprints of the 124th AES Convention (124th AES Convention)
.
2008.
FWF-Projekt Zwischenbericht 2008.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2009.
Feedback Loop Shaping for Active Noise Control With Constraints of the Worst Case Secondary Paths.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
FWF-Projekt Zwischenbericht 2009.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
Getting Mixed up with WFS, VBAP, HOA, TRM... From Acronymic Cacophony to a Generalized Rendering Toolbox.
(
).
DEGA Wave Field Synthesis Workshop, Ilmenau, Germany, September
.
2007.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
Emille. the Journal of the Korean Electro-Acoustic Music Society,
02
2018.
Generating consistent exterior vehicle sound from interior sound.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration.
(
).
Proc. I2MTC, IEEE Conference
.
2012.
Gamelan oder Blasmusik.
Steirische Berichte,
02
2008.
Gestonic: A Gesture Based Timbre Control.
(
).
Proceedings of the HCI International 2009 (Proceedings of the HCI International)
.
2009.
Publikationsjahr
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