Publikationen
Embodiment", Elektroakustische Musik und Expressivität".
Positionen. Texte zur aktuellen Musik,
02
2010.
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition.
Springer,
Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)),
2015.
Effects of interaural time differences in fine structure and envelope on lateral discrimination in electric hearing.
The Journal of the Acoustical Society of America,
120
pp. 2190-2201,
09
2006.
FWF-Projekt Zwischenbericht 2007.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2008.
Frequency-dependend amplitude-panning curves.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
Flexible and Intuitive Pointing Method for 3-D Auditory Localization Experiments.
(
).
The Proceedings of The AES 38th International Conference (AES 38th International Conference on Sound Quality Evaluation)
.
2010.
Freer Than Max - porting FTM to Pure data.
(
).
Proceedings of the LAC 2008 (LAC)
.
2008.
Fast multipole boundary element method to calculate head-related transfer functions for a wide frequency range.
The Journal of the Acoustical Society of America,
126
pp. 1280-1290,
09
2009.
Frequency dependent Signal Correlation in.
(
).
Preprints of the 124th AES Convention (124th AES Convention)
.
2008.
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy..
(
).
EAW2015: technology as a tool for creating music: proceedings
.
2015.
FWF-Projekt Zwischenbericht 2008.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2009.
From Artificial to Extended Intelligence in Music Composition.
Organised Sound,
07
2020.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
FWF-Projekt Zwischenbericht 2009.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
Feedback Loop Shaping for Active Noise Control With Constraints of the Worst Case Secondary Paths.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Focused Audification and the optimization of its parameters.
Journal on multimodal user interfaces,
01
2019.
Fb1 - An interface for single sample feedback and feedforwardin SuperCollider.
In
,
Proceedings of the 17thSound and Music Computing Conference
(pp. 200-203).
Axea sas/SMC Network,
Torino (Italien),
2020.
Getting Mixed up with WFS, VBAP, HOA, TRM... From Acronymic Cacophony to a Generalized Rendering Toolbox.
(
).
DEGA Wave Field Synthesis Workshop, Ilmenau, Germany, September
.
2007.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration.
(
).
Proc. I2MTC, IEEE Conference
.
2012.
Gamelan oder Blasmusik.
Steirische Berichte,
02
2008.
Generalized tangent law for horizontal pairwise amplitude panning.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
Publikationsjahr
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