Publikationen
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Murchison meteorite, 40 years after unprecedented molecular diversity of extraterrestrial organic matter.
Proceedings of the National Academy of Sciences of the United States of America,
03
2009.
Mexikanischer Tumulus.
In
,
Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016 – 2019
(pp. 124-126).
CLIO,
Graz (Österreich),
2019.
Motion-Enabled Live Electronics.
(
).
Proceedings of the 6th Sound and Music Computing Conference SMC 2009 (SMC 2009, Sound and Music Computing Conference, Porto, Portugal)
.
2009.
Music Structure Discovery based on Normalized Cross Correlation.
(
).
Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10)
.
2010.
Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques.
(
).
Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
.
2018.
next generation 4.0 Festival ZKM Karlsruhe.
University of Music and Performing Arts Graz,
Graz (Austria),
2012.
New Sonification Tools for EEG Data Screening and Monitoring.
(
).
Proc ICAD 2007
.
2007.
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration.
(
).
Proceedings of ICMC/SMC (ICMC/SMC)
.
2014.
Orchestrating Wall Reflections by Icosahedral Speaker.
Poster at ICMC A2014 Athen in Athen (Griechenland),
Internationale Computermusic Conference (Griechenland),
Internationale Computermusic Conference (Griechenland),
2014.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Online Seashore-Test für musikalische Begabung.
Forum Neue Medien in der Lehre Austria,
pp. 26-27,
08
2020.
On Artistic Research in the Context of the Project Embodied Generative Music.
(
).
Proceedings of the 2009 International Computer Music Conference (International Computer Music Conference)
.
2009.
Online und Zusammen.
Forum Neue Medien in der Lehre Austria,
pp. 5-7,
06
2020.
On the localization of auditory objects created by directional sound sources in a virtual room.
(
).
Tonmeistertagung 2018
.
2018.
On the decomposition of acoustic source radiation patterns measured with surrounding spherical microphone arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
Psychoacoustical Background of Dynamics Processing in Audio.
26. TonmeisterInnentagung, TMT vom 25. - 28. November 2009, Leipzig, Deutschland (26. TonmeisterInnentagung)
.
2009.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Practical Implementation of Radial Filters for Ambisonic Recordings.
(
).
Proc. of the International Conference on Spatial Audio 2011 (Proc. of the International Conference on Spatial Audio 2011)
.
2011.
Principles and Considerations to Controllable Focused Sound Source Reproduction.
(
).
7th Eurocontrol Innovative Research Workshop & Exhibition
.
2008.
PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language.
In
,
AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
(pp. 287-291).
University of Nottingham,
Nottingham (Vereinigtes Königreich),
2019.
PhysioSonic - movement sonification as auditory feedback.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Perceptual Evaluation of Variable-Orientation Binaural Room Impulse Response Rendering.
(
).
Proceedings of 2019 AES International Conference on Immersive and Interactive Audio (2019 AES International Conference on Immersive and Interactive Audio)
.
2019.
Preface.
In
,
Art in Motion
(pp. 8-9).
Peter Lang,
Frankfurt am Main (Deutschland),
2009.
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