Publikationen
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
A Pattern System for Sound Processes.
(
).
Proceedings of the 15th International Audio Mostly Conference (15th International Audio Mostly Conference)
.
2020.
Anemone Actiniaria.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoax)
.
2016.
A Sonification Interface Unifying Real-Time and Offline Processing.
Poster at Sound and Music Computing Conference (SMC) in Helsinki (Finnland),
Aalto University (Finnland),
Aalto University (Finnland),
2017.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
AP 4 - Verwertung von EEK-Forschungsergebnissen zum Aufbau transdisziplinärer Schnittstellen.
[WTZ - Wissenstransferzentrum Süd].
University of Music and Performing Arts Graz,
Graz (Austria),
2017.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
in|fibrillae.
(
).
Proceedings of the 9th Conference on Computation, Communication, Aesthetics & X (9th Conference on Computation, Communication, Aesthetics & X (xCoAx))
.
2021.
Körper.
(
).
xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
.
2018.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Mexikanischer Tumulus.
In
,
Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016 – 2019
(pp. 124-126).
CLIO,
Graz (Österreich),
2019.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
SysSon: A Sonification Platform for Climate Data.
Poster at EGU - European Geosciences Union General Assembly in Austria Center Vienna (Österreich),
EGU - European Geosciences Union (Österreich),
EGU - European Geosciences Union (Österreich),
2014.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
SysSon: A Systematic Design for the Sonification of Radio Occultation Data.
Poster at International Workshop on Occulation for Probing Atmosphere and Climate (OPAC-IROWG) in Schloß Seggau bei Leibnitz (Österreich),
Wegener Center for Climate and Global Change (Österreich),
Wegener Center for Climate and Global Change (Österreich),
2013.
Sound Processes: A New Computer Music Framework.
(
).
Proceedings ICMC|SMC|2014
.
2014.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
The Temporality of (un|non)selection.
(
).
Proceedings of the Fifth Conference on Computation, Communication, Aesthetics and X (xCoAx 2017)
.
2017.
Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework.
University of Plymouth (Vereinigtes Königreich),
University of Plymouth (Vereinigtes Königreich),
2014.
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