Publikationen
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
Articulation of Climate Scientists vis-à-vis Data Analysis and Sonification.
International journal of human - computer studies,
01
2015.
Auditory Distance Control Using a Variable-Directivity Loudspeaker.
Applied Sciences,
02
2017.
Binaural Rendering with Measured Room Responses: First-Order Ambisonic Microphone vs. Dummy Head.
Applied Sciences,
10
(5):
03
2020.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Efficient Phantom Source Widening.
Archives of Acoustics,
38
(1):
pp. 27-37,
09
2013.
Evaluation of Three Auditory-Sculptural Qualities Created by an Icosahedral Loudspeaker.
Applied Sciences,
9
(13):
07
2019.
Investigation of auditory objects caused by directional sound sources in rooms.
Acta physica Polonica,
128
pp. 5-10,
01
2015.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
Localization of Amplitude-Panned Stereophonic Phantom Sources in the Horizontal Plane.
Journal of the Audio Engineering Society. audio, acoustics, applications,
01
2012.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
Source Width of Frontal Phantom Sources: Perception, Measurement, and Modeling.
Archives of Acoustics,
38
(3):
pp. 311-319,
10
2013.
Spatial Sound With Loudspeakers and Its Perception: A Review of the Current State.
IEEE Signal Processing Letters,
101
(9):
pp. 1920-1938,
12
2013.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 945-955,
10
2014.
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