Publikationen
3D sound field rendering under non-idealized loudspeaker arrangements.
(
).
Proc. Acoustics´08, Paris
.
2008.
3D sound source localization using a spherical microphone array..
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
3D sound source localization using a spherical microphone array.
(
).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
(
).
Ambisonics Symposium 2009.
private publishing,
Graz (Österreich),
2009.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Acoustic center and orientation analysis of sound-radiation recorded with a surrounding spherical microphone array.
(
).
Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics (Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics)
.
2010.
Augmented Practice-Room - Augmented Acoustics in Music Education.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
ALTAR/TABLE: A PLATFORM FOR PLAUSIBLE AUDITORY AUGMENTATION.
Proc ICAD 2022 (Int. Conf. Auditory Display)
.
2022.
Augmented Acoustics for Ensembles.
(
).
Fortschritte der Akustik 2021 (DAGA 2021)
.
2021.
Application of localization models for vertical phantom sources.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
An Ambisonics Format for Flexible Playback Layouts.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
Ambisonic Decoding with Panning-Invariant Loudness on Small Layouts (AllRAD2).
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Ambisonics - A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality.
Springer,
Heidelberg (Deutschland),
2019.
A Speech Database for Stress Monitoring in the Cockpit.
Proceedings of the Institution of Mechanical Engineers, Part G: Journal of Aerospace Engineering,
02
2012.
Articulation of Climate Scientists vis-à-vis Data Analysis and Sonification.
International journal of human - computer studies,
01
2015.
Alltagsstimmen. Algorithmische Verfahren bei der automatischen Montage halbnarrativen Sprachmaterials.
Positionen. Texte zur aktuellen Musik,
pp. 35-37,
04
2014.
Array modes of compact rigid microphone arrays with unconventional shapes.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Analysis and Synthesis of Sound-Radiation with Spherical Arrays.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2009.
A STANDARD FOR INTERCHANGE OF AMBISONIC SIGNAL SETS.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
A hear-through system for plausible auditory contrast enhancement.
(
).
Audio Mostly (AM'19) (Audio Mostly (AM'19))
.
2019.
Algorithmic Composition: Paradigms of Automated Music Composition.
Springer,
Wien (Österreich),
2009.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
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