Publikationen
3D sound source localization using a spherical microphone array..
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
3D sound source localization using a spherical microphone array.
(
).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
3D sound field rendering under non-idealized loudspeaker arrangements.
(
).
Proc. Acoustics´08, Paris
.
2008.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Artistic Research at the University of Music and Performing Arts Graz - Interim Assessment and Perspectives.
In
,
Artistic Research in Music: Discipline and Resistance
(pp. 254-258).
Leuven University Press,
Leuven (Belgien),
2017.
A hear-through system for plausible auditory contrast enhancement.
(
).
Audio Mostly (AM'19) (Audio Mostly (AM'19))
.
2019.
Ambisonic panning with constant energy constraint.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Array modes of compact rigid microphone arrays with unconventional shapes.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
A sonic time projection chamber, Sonified particle detection at CERN.
(
).
Proceedings of the ICAD 2010 (ICAD 2010 Int. Conference on Auditory Display)
.
2010.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Are Loudspeaker Arrays Musical Instruments?.
(
).
Proceedings (ICSA Graz 2017)
.
2017.
Amplitude Panning with Height on 2, 3, and 4 Loudspeakers.
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
abgedrucktes Interview.
In
,
Composición Algorítmica – matemáticas y ciencias de la computación en la creación musical
Universidad de Quilmes,
Buenos Aires (Argentinien),
2018.
Augmentation of an Institute's Kitchen: an Ambient Auditory Display of Electric Power Consumption.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Artistic Research and the Advancement and Appreciation of the Arts at the Kunstuniversität Graz.
In
,
Kunst und Forschung - Können Künstler Forscher sein ? / Art and research - Can artists be researchers ?
(pp. 225-249).
Springer,
Wien (Österreich),
2011.
ambiX - An ambiconics format (suggestion).
(
).
Proc. 3rd Ambisonics Symposium
.
2011.
Auditory assistance for timing presentations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Ambisonic Decoding with Panning-Invariant Loudness on Small Layouts (AllRAD2).
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Ambisonics - A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality.
Springer,
Heidelberg (Deutschland),
2019.
A pilot study on the influence of mouth configuration and torso on singing voice directivity.
Journal of the Acoustical Society of America,
09
2020.
Application of localization models for vertical phantom sources.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
“AUGMENTED PRACTICE-ROOM“: AN E-LEARNING TOOL FOR MUSIC STUDENTS.
(
).
Proceedings of International Conference on New Horizons in Education (INTE)
.
2019.
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