Publikationen
3D sound source localization using a spherical microphone array.
(
).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
3D sound source localization using a spherical microphone array..
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
3D sound field rendering under non-idealized loudspeaker arrangements.
(
).
Proc. Acoustics´08, Paris
.
2008.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
(
).
Ambisonics Symposium 2009.
private publishing,
Graz (Österreich),
2009.
Acoustic center and orientation analysis of sound-radiation recorded with a surrounding spherical microphone array.
(
).
Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics (Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics)
.
2010.
Augmented Practice-Room - Augmented Acoustics in Music Education.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Augmented Acoustics for Ensembles.
(
).
Fortschritte der Akustik 2021 (DAGA 2021)
.
2021.
Application of localization models for vertical phantom sources.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
An Ambisonics Format for Flexible Playback Layouts.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
Ambisonic Decoding with Panning-Invariant Loudness on Small Layouts (AllRAD2).
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Ambisonics - A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality.
Springer,
Heidelberg (Deutschland),
2019.
Alltagsstimmen. Algorithmische Verfahren bei der automatischen Montage halbnarrativen Sprachmaterials.
Positionen. Texte zur aktuellen Musik,
pp. 35-37,
04
2014.
Array modes of compact rigid microphone arrays with unconventional shapes.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
A STANDARD FOR INTERCHANGE OF AMBISONIC SIGNAL SETS.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
A hear-through system for plausible auditory contrast enhancement.
(
).
Audio Mostly (AM'19) (Audio Mostly (AM'19))
.
2019.
Algorithmic Composition: Paradigms of Automated Music Composition.
Springer,
Wien (Österreich),
2009.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
“AUGMENTED PRACTICE-ROOM“: AN E-LEARNING TOOL FOR MUSIC STUDENTS.
(
).
Proceedings of International Conference on New Horizons in Education (INTE)
.
2019.
ACOUSTIC INTERFACE FOR TREMOR ANALYSIS.
(
).
Proc. International Conference on Auditory Display (ICAD 2012)
.
2012.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Ambisonic Decoding with Constant Angular Spread.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 928-936,
11
2014.
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