Publikationen
3D sound field rendering under non-idealized loudspeaker arrangements.
Poster at ACOUSTICS 08 in Paris (Frankreich),
SFA, EAA, ASA (Frankreich),
SFA, EAA, ASA (Frankreich),
2008.
3D sound source localization using a spherical microphone array..
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
3D sound source localization using a spherical microphone array.
(
).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
3D sound field rendering under non-idealized loudspeaker arrangements.
(
).
Proc. Acoustics´08, Paris
.
2008.
A Method for Subjective Analysis of Audiovisual Works.
Poster at International Computer Music Conference in Shanghai (China),
Shanghai Conservatory (China),
Shanghai Conservatory (China),
2017.
A hear-through system for plausible auditory contrast enhancement.
(
).
Audio Mostly (AM'19) (Audio Mostly (AM'19))
.
2019.
Array modes of compact rigid microphone arrays with unconventional shapes.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Ambisonic panning with constant energy constraint.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
A sonic time projection chamber, Sonified particle detection at CERN.
(
).
Proceedings of the ICAD 2010 (ICAD 2010 Int. Conference on Auditory Display)
.
2010.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
Augmented Audification Blending between Audification and an Auditory Graph By the examples of noise and ECG data.
Journal on multimodal user interfaces,
01
2015.
Amplitude Panning between beamforming-controlled direct and reflected sound.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Amplitude Panning with Height on 2, 3, and 4 Loudspeakers.
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
Augmented Practice-Room - Augmented Acoustics in Music Education.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Are Loudspeaker Arrays Musical Instruments?.
(
).
Proceedings (ICSA Graz 2017)
.
2017.
A Speech Database for Stress Monitoring in the Cockpit.
Proceedings of the Institution of Mechanical Engineers, Part G: Journal of Aerospace Engineering,
02
2012.
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
abgedrucktes Interview.
In
,
Composición Algorítmica – matemáticas y ciencias de la computación en la creación musical
Universidad de Quilmes,
Buenos Aires (Argentinien),
2018.
Angular and Radial Directivity Control for Spherical Loudspeaker Arrays.
Technische Universität Graz (Österreich),
Technische Universität Graz (Österreich),
2008.
Augmentation of an Institute's Kitchen: an Ambient Auditory Display of Electric Power Consumption.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
A Matlab Toolbox for Efficient Perfect Reconstruction Time-Frequency Transforms with Log-Frequency Resolution.
Poster at 53rd Conference on Semantic Audio in Queen Mary University London (Vereinigtes Königreich),
Queen Mary University of London (Vereinigtes Königreich),
Queen Mary University of London (Vereinigtes Königreich),
2014.
Artistic Research and the Advancement and Appreciation of the Arts at the Kunstuniversität Graz.
In
,
Kunst und Forschung - Können Künstler Forscher sein ? / Art and research - Can artists be researchers ?
(pp. 225-249).
Springer,
Wien (Österreich),
2011.
Publikationsjahr
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Konferenzband-Beitrag (271)
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