Publikationen
Energy-Preserving Ambisonic Decoding.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
98
(1):
pp. 37-47,
02
2012.
Embodied Generative Music.
Poster at 40 Jahre FWF Jubiläumsausstellung in KUG, Zentralbibliothek (Österreich),
FWF (Österreich),
FWF (Österreich),
2009.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
Exploration of 4D-data spaces. Sonification in lattice QCD..
International Conference on Auditory Display 2008
.
2008.
Evaluation of an E-Learning Tool for Augmented Acoustics in Music Education.
Music & Science,
02
2021.
Ereignis. Ephemeres, Flüchtiges.
Wind-Tunnel-Bulletin,
7
02
2018.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Evaluation of a Transaural Beamformer.
(
).
ICAS 2010 Proceedings
.
2010.
Exploring the perceptual sweet area in Ambisonics.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Else. An Artistic Study on Algorithmic Agency in Sound Synthesis Composition.
(
).
Proceedings of the 45th International Computer Music Conference 2019 (45th International Computer Music Conference)
.
2019.
Effiziente und exakte Bestimmung der Übertragungscharakteristiken von Fahrzeugkarosserien.
Automobiltechnische Zeitschrift (ATZ),
pp. 818-825,
03
2009.
Exploration of sonification design process through an interdisciplinary workshop.
Journal on multimodal user interfaces,
01
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Evaluating a method for the analysis of performance practices in electronic music.
(
).
International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
.
2015.
Evaluation of hear-through sound localization.
(
).
CHI '14 Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI 2014)
.
2014.
Expergefactor: sonic interaction design for an alarm clock app.
(
).
Proceedings of the 15th International Conference on Audio Mostly
.
2020.
Exploring Participatory Sound Art..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
Effects of interaural time differences in fine structure and envelope on lateral discrimination in electric hearing.
The Journal of the Acoustical Society of America,
120
pp. 2190-2201,
09
2006.
EGM-Poster f. Inst.17 (deutsch).
Poster at Fest Ehrenbürgerschaft Dr. Becke in Graz (Österreich),
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2009.
Efficient spatial Ambisonic effects for live audio.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Entwurf und Implementierung einer Mehrkanal- Beschallungsanlage.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2002.
Evaluating out-of-head localization of a dry source from the front reproduced with cue-preserving headphones.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART.
(
).
Proceedings of the Sound and Music Computing Conference 2016
.
2016.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
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