Publikationen
Constant-Q transform toolbox for music processing.
Poster at Sound and Music Conference in Universat Pompeu Fabra (Spanien),
Universitat Pompeu Fabra (Spanien),
Universitat Pompeu Fabra (Spanien),
2010.
Contextual Inquiry for a Climate Audio Interface.
(
).
Proceedings of the Interfaces and Human Computer Interaction (IHCI 2013)
.
2013.
Chirp-Rate Estimation for Time-Frequency Reassigned Spctrograms.
Proceedings of the 3rd Congress of the Alps Adria Acoustics Association (AAAAC)
.
2007.
Comprehensive Array Measurements of In-Car Sound Field in Magnitude and Phase for Active Sound Generation and Noise Control.
(
).
8th International Styrian Noise, Vibration & Harshness Congress: The European Automotive Noise Conference (SAE Int. J. Passeng. Cars – Electron. Electr. Syst. 7(2):2014)
.
2014.
Clemens Gadenstätter/Hidden Grammars.
In
,
Patterns of Intuition
(pp. 85-130).
Springer,
Dordrecht (Niederlande),
2015.
Creative Evaluation.
(
).
Proceedings of the 2017 Conference on Designing Interactive Systems (Conference on Designing Interactive Systems)
.
2017.
Convected Wave Equation for a Moving Body in an Inhomogeneous Flow.
(
).
Proc ISNVH 2018 (ISNVH 2018)
.
2018.
Clemens Nachtmann/Forbidding Harmonies.
In
,
Patterns of Intuition
(pp. 33-57).
Springer,
Springer (Niederlande),
2015.
Comprehensive Array Measurements of In-Car Sound Field in Magnitude and Phase for Active Sound Generation and Noise Control.
SAE International journal of passenger cars : Electronic and electrical systems,
7
(2):
01
2014.
DIY Modifications for Acoustically Transparent Headphones.
(
).
Proceedings of AES 148th Convention (AES 148th Convention)
.
2020.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Discrimination of Tremor Diseases by Interactive Sonification.
(
).
Proceedings of ISon 2016, 5th Interactive Sonification Workshop
.
2016.
Directivity and Electro-Acoustic Measurements of the IKO.
(
).
144th AES Convention Milan
.
2018.
De- und Rekonstruktionen von Körper-Klang-Ausdrucksbeziehungen Das “Embodied Generative Music”-Projekt.
(
).
Challenging Music, Dance and Performance. The Electronic Media (Challenging Music, Dance and Performance. The Electronic Media)
.
2009.
Die lange Saite.
(
).
Diwan - regionale 2008 (Katalog zum Festival)
.
2008.
Design and control of mixed-order spherical loudspeaker arrays.
(
).
Proc. ICMC (International Conference on Computer Music / New York Electronic Music Festival)
.
2019.
Das Institut für Elektronische Musik und Akustik Graz.
Poster at next_generations 4.0 Festival in ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
2011.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
Directivity pattern measurement of a grand piano for augmented acoustic reality.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Directivity Patterns Controlling the Auditory Distance.
(
).
Proceedings DAFX 2016
.
2016.
'Dirty Light': approaching lighting in audio-cisual contexts beyond its material-immanent properties.
(
).
Musica Nova VII (Musica Nova VII)
.
2012.
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
Die Begegnung mit dem Neuen suchen - 50 Jahre IEM.
In
,
Musikprotokoll
ORF,
Wien (Österreich),
2015.
Designing simulacra or the electronic replication of a mechanical instrument.
(
).
Proceedings of the 9th Sound and Music Computing Conference (SMC Sound and Music Computing Conference)
.
2012.
Data-Driven Auditory Contrast Enhancement For Everyday Sounds And Sonifications.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2019.
Publikationsjahr
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Zeitschriftenartikel (74)
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