Publikationen
In-car Active Sound Generation for enhanced feedback in vehicles with combustion engines or electric engines.
(
).
Proc International Conference on Auditory Display 2015 (Proc ICAD 20125)
.
2015.
IEM-Report 14/03: Studie zur Steuerung der örtlichen Schallfeldkonzentration.
University of Music and Performing Arts Graz,
Graz (Austria),
2003.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
Investigations on the Sound Quality of Engines with Low Cylinder.
(
).
8th International Styrian Noise, Vibration & Harshness Congress: The European Automotive Noise Conference (SAE Int. J. Passeng. Cars – Electron. Electr. Syst. 7(2):2014)
.
2014.
Investigations on cylindrical microphone arrays.
(
).
Proc. oft the 4th Ambisonics Sympoisum (25th AES UK Conference: Spatial Audio in Today’s 3D World in association with the 4th International Symposium on Ambisonics and Spherical Acoustics)
.
2012.
Influence of directivity pattern order on perceived distance.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
IRMA (Interactive Real-time Measurement of Attention). A method for the investigation of audiovisual computer music performances..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
Improved localization in the median plane with cue-preserving headphones.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Influence of the vocal tract on voice directivity.
(
).
Proceedings of the 23rd International Congress on Acoustics (ICA 2019 Aachen)
.
2019.
Idea for Sign-Change Retrieval in Magnitude Directivity Patterns.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Improvisation as Epistemic Practice.
(
).
(re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation)
.
2013.
Identification of secondary-path irregularities for active-noise-control headphones.
(
).
Proceedings of the Internoise 2013
.
2013.
Investigation of auditory objects caused by directional sound sources in rooms.
Acta physica Polonica,
128
pp. 5-10,
01
2015.
IEM-Report 39/07: Icosahedral Loudspeaker Array.
University of Music and Performing Arts Graz,
Graz (Austria),
2007.
Imitation Game: Real-Time Decision-making in an Interactive Composition for Human and Robotic Percussionist..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
Interaction of audioviual cues in the perception of sound trajectories.
Poster at International Conference on Music Perception and Cognition 2012 in Thessaloniki (Griechenland),
Aristotle University (Griechenland),
Aristotle University (Griechenland),
2012.
Introduction to Software Framework.
Poster at On the Choreography of Sound in 1700 Institut 17 Elektronische Musik und Akustik,
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2012.
Joint spherical beamforming for the analysis of reflections in rooms.
(
).
Proceedings of the Acoustics 2012 in Hong Kong (Acoustics 2012 Hong Kong)
.
2012.
Klanginstallation Ikosaederlautsprecher.
Poster at Universitätenforum Forum Alpbach in Alpbach (Österreich),
Europäisches Forum Alpbach (Österreich),
Europäisches Forum Alpbach (Österreich),
2009.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Körper.
(
).
xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
.
2018.
Kompakte 16-Kanal-Kugellautsprecheranordnung.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
Kurzbericht über den Projektfortschritt 2009.
[QCD-audio / TRP].
University of Music and Performing Arts Graz,
Graz (Austria),
2009.
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