Publikationen
Imitation Game: Real-Time Decision-making in an Interactive Composition for Human and Robotic Percussionist..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
Influence of horizontal loudspeaker layout geometry on sweet area shape for widened/diffuse frontal sound.
(
).
Proceedings of 148th AES Convention (148th AES Convention)
.
2020.
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter.
Neue Zeitschrift für Musik,
02
2011.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Is Sound Field Control Determined at All Frequencies? How Is it Related to Numerical Acoustics?.
(
).
Proc. AES 52nd International Conference (AES 52nd International Conference)
.
2013.
Improving Externalization in Ambisonic Binaural Decoding.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
IEM-Report 14/03: Studie zur Steuerung der örtlichen Schallfeldkonzentration.
University of Music and Performing Arts Graz,
Graz (Austria),
2003.
Investigations on the Sound Quality of Engines with Low Cylinder.
(
).
8th International Styrian Noise, Vibration & Harshness Congress: The European Automotive Noise Conference (SAE Int. J. Passeng. Cars – Electron. Electr. Syst. 7(2):2014)
.
2014.
Investigations on A Robust Feature Set for Classification of Speech under Stress.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2009.
IEM-Report 35/07: Zwischenbericht Virtual Gamelan Graz.
University of Music and Performing Arts Graz,
Graz (Austria),
2006.
Investigations on Perceptual Phenomena of the Precedence Effect using a Bessel Sequence.
(
).
Proceedings of the 142nd AES Convention (AES 142nd Convention)
.
2017.
In-car Active Sound Generation for enhanced feedback in vehicles with combustion engines or electric engines.
(
).
Proc International Conference on Auditory Display 2015 (Proc ICAD 20125)
.
2015.
Investigations on cylindrical microphone arrays.
(
).
Proc. oft the 4th Ambisonics Sympoisum (25th AES UK Conference: Spatial Audio in Today’s 3D World in association with the 4th International Symposium on Ambisonics and Spherical Acoustics)
.
2012.
Interaction of audioviual cues in the perception of sound trajectories.
Poster at International Conference on Music Perception and Cognition 2012 in Thessaloniki (Griechenland),
Aristotle University (Griechenland),
Aristotle University (Griechenland),
2012.
Introduction to Software Framework.
Poster at On the Choreography of Sound in 1700 Institut 17 Elektronische Musik und Akustik,
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2012.
Joint spherical beamforming for the analysis of reflections in rooms.
(
).
Proceedings of the Acoustics 2012 in Hong Kong (Acoustics 2012 Hong Kong)
.
2012.
Kurzbericht über den Projektfortschritt 2008.
[QCD-audio / TRP].
University of Music and Performing Arts Graz,
Graz (Austria),
2008.
Klangmodellierungsansätze und Ergebnisse für Gamelaninstrumente des lauten Stils.
Fortschritte der Akustik (DAGA)
.
2007.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Kompakte 16-Kanal-Kugellautsprecheranordnung.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Körper.
(
).
xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
.
2018.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Klanginstallation Ikosaederlautsprecher.
Poster at Universitätenforum Forum Alpbach in Alpbach (Österreich),
Europäisches Forum Alpbach (Österreich),
Europäisches Forum Alpbach (Österreich),
2009.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
Kurzbericht über den Projektfortschritt 2009.
[QCD-audio / TRP].
University of Music and Performing Arts Graz,
Graz (Austria),
2009.
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