Publikationen
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Design and Evaluation of a Spherical Segment Array with Double Cone.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Dimitri Papageorgiou/Interlocking and Scaling.
In
,
Patterns of Intuition
(pp. 111-139).
Springer,
Dordrecht (Niederlande),
2015.
Demonstrator for Controllable Focused Sound Source Reproduction.
(
).
7th Eurocontrol Innovative Research Workshop & Exhibition (Poster)
.
2008.
Design and Measurement of First-Order, Horizontally Beam-Controlling Loudspeaker Cube.
(
).
144th AES Convention Milan
.
2018.
Directivity Measurements of Low Frequency Sound Field Radiated from an Open Cylindrical Pipe with a Hot Mean Flow.
(
).
Technical Papers, ISNVH (ISNVH)
.
2016.
Djuro Zivkovic/Difference Tones.
In
,
Patterns of Intuition
(pp. 231-255).
Springer,
Dordrecht (Niederlande),
2015.
Dynamische Richtwirkung von Musikinstrumenten.
Akustik Journal,
02
2018.
Exploration of Auditory Augmentation in an Interdisciplinary Prototyping Workshop.
(
).
Forum Media Technology (Forum Media Technology)
.
2018.
Elevation of Horizontal Phantom Sources.
(
).
Fortschritte der Akustik, DAGA 2014
.
2014.
Evaluation of an Acoustic Interface for Tremor Analysis.
(
).
Proceedings of the Sound and Music Computing Conference (SMC) (Sound and Music Computing Conference (SMC))
.
2017.
Extension of the generalized tangent law for multiple loudspeakers.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Evaluation of hear-through sound localization.
(
).
CHI '14 Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI 2014)
.
2014.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
Exploration of sonification design process through an interdisciplinary workshop.
(
).
Proceedings of the Audio Mostly 2016
.
2016.
Evaluating out-of-head localization of a dry source from the front reproduced with cue-preserving headphones.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Endbericht FWF-Projekt.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
Experiment on externalization in binaural directional-source auralization.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Embodiment", Elektroakustische Musik und Expressivität".
Positionen. Texte zur aktuellen Musik,
02
2010.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Entwurf und Implementierung einer Mehrkanal- Beschallungsanlage.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2002.
Exploration of 4D-data spaces. Sonification in lattice QCD..
(
).
International Conference on Auditory Display 2008
.
2008.
Exploring the perceptual sweet area in Ambisonics.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Efficient spatial Ambisonic effects for live audio.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Evaluating Aesthetics in Sonifications.
(
).
Proceedings of the International Conference on Auditory Display (ICAD 2013)
.
2013.
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