Publikationen
Alexander Stankovski/Mirrors Within Mirrors.
In
,
Patterns of Intuition
(pp. 189-208).
Springer,
Dordrecht (Niederlande),
2015.
Binaural – Das andere Stereo. Ästhetik und Technik auditiv vermittelter Räume.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Beat-Aligning Guitar Looper.
Poster at DAFx 17 in Edinburgh (Vereinigtes Königreich),
University of Edinburgh (Vereinigtes Königreich),
University of Edinburgh (Vereinigtes Königreich),
2017.
BRIR Synthesis Using First-Order Microphone Arrays.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Binaural jitter improves interaural time-difference sensitivity of cochlear implantees at high pulse rates.
Proceedings of the National Academy of Sciences of the United States of America,
105
pp. 814-817,
02
2008.
Binaural Floss – Exploring Media, Immersion, Technology.
(
).
Proceedings of the Linux Audio Conference
.
2017.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Beat-Aligning Guitar Looper.
(
).
Proceedings of the 20th International Conference on Digital Audio Effects (DAFx 17)
.
2017.
Comparison of first-order Ambisonic microphone arrays.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
: Chroma and MFCC based pattern recognition in audio files utilizing hidden Markov models and dynamic programming.
Poster at 126th AES Convention (Student Science Spot) in München (Deutschland),
AES (Deutschland),
AES (Deutschland),
2009.
Crosstalk Cancellation for Spherical Loudspeaker Arrays.
(
).
DAGA 08
.
2008.
Challenges and New Solutions for Transfer Path Analysis.
(
).
Proc. ISMA2008
.
2008.
Chirping Stars.
(
).
Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display)
.
2012.
Constant-Q transform toolbox for music processing.
(
).
Proceedings of 7th Sound and Music Computing Conference
.
2010.
Comprehensive measurements of head influence on a supercardioid microphone.
(
).
132th AES convention papers (132nd AES Convention, Budapest)
.
2012.
Comparison of different approaches for calculation of sound radiation from an open pipe with a flow.
(
).
Proceedings ICTCA 2017 (ICTCA 2017)
.
2017.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Comparison of spatial audio rendering systems for ITU BS2051 standard loudspeaker layouts.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Contextual Inquiry for a Climate Audio Interface.
In
,
Human-Computer Interfaces and Interactivity: Emergent Research and Applications
IGI Global,
Hershey, PA (Vereinigte Staaten (USA)),
2014.
Capturing the Radiation Characteristics of the Bonang Barung.
Proceedings of the 3rd Congress of the Alps Adria Acoustics Association (AAAAC)
.
2007.
Comparison of energy-preserving and all-round Ambisonic decoders.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
Current technologies and compositional practices for spatialization: A qualitative and quantitative anal- ysis..
Computer music journal,
35
(1):
pp. 10-27,
02
2011.
Collaborative Design Methods towards Evaluation of a Tangible Interface.
(
).
Proceedings of ICLI 2018
.
2018.
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