Publikationen
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Binaural Floss – Exploring Media, Immersion, Technology.
(
).
Proceedings of the Linux Audio Conference
.
2017.
Binaural jitter improves interaural time-difference sensitivity of cochlear implantees at high pulse rates.
Proceedings of the National Academy of Sciences of the United States of America,
105
pp. 814-817,
02
2008.
Binaural Rendering with Measured Room Responses: First-Order Ambisonic Microphone vs. Dummy Head.
Applied Sciences,
10
(5):
03
2020.
Beat-Aligning Guitar Looper.
(
).
Proceedings of the 20th International Conference on Digital Audio Effects (DAFx 17)
.
2017.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Crosstalk Cancellation for Spherical Loudspeaker Arrays.
(
).
DAGA 08
.
2008.
Challenges and New Solutions for Transfer Path Analysis.
(
).
Proc. ISMA2008
.
2008.
Constant-Q transform toolbox for music processing.
(
).
Proceedings of 7th Sound and Music Computing Conference
.
2010.
Comprehensive measurements of head influence on a supercardioid microphone.
(
).
132th AES convention papers (132nd AES Convention, Budapest)
.
2012.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
: Chroma and MFCC based pattern recognition in audio files utilizing hidden Markov models and dynamic programming.
Poster at 126th AES Convention (Student Science Spot) in München (Deutschland),
AES (Deutschland),
AES (Deutschland),
2009.
Chirping Stars.
(
).
Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display)
.
2012.
Comparison of different approaches for calculation of sound radiation from an open pipe with a flow.
(
).
Proceedings ICTCA 2017 (ICTCA 2017)
.
2017.
Comparison of spatial audio rendering systems for ITU BS2051 standard loudspeaker layouts.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Contextual Inquiry for a Climate Audio Interface.
In
,
Human-Computer Interfaces and Interactivity: Emergent Research and Applications
IGI Global,
Hershey, PA (Vereinigte Staaten (USA)),
2014.
Capturing the Radiation Characteristics of the Bonang Barung.
Proceedings of the 3rd Congress of the Alps Adria Acoustics Association (AAAAC)
.
2007.
Comparison of energy-preserving and all-round Ambisonic decoders.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
Current technologies and compositional practices for spatialization: A qualitative and quantitative anal- ysis..
Computer music journal,
35
(1):
pp. 10-27,
02
2011.
Collaborative Design Methods towards Evaluation of a Tangible Interface.
(
).
Proceedings of ICLI 2018
.
2018.
Chroma and MFCC based pattern recognition in audio files utilizing hidden Markov models and dynamic programming.
(
).
Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09)
.
2009.
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Conception and Realization of Speech Recordings for Instantaneous Stress Level Assessment.
Poster at Eurocontrol 9th Innovative Research Workshop and Exhibition in Brétigny-sur-Ôrge (Frankreich),
Eurocontrol Experimental Centre (Frankreich),
Eurocontrol Experimental Centre (Frankreich),
2010.
Constant-Q transform toolbox for music processing.
Poster at Sound and Music Conference in Universat Pompeu Fabra (Spanien),
Universitat Pompeu Fabra (Spanien),
Universitat Pompeu Fabra (Spanien),
2010.
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