Publikationen
Reconstructing sound source directivity in virtual acoustic environments.
In
,
Principles and Applications of Spatial Hearing
World Scientific Publishing Co Pte Ltd,
Sendai (Japan),
2011.
REFLECTIONS ON AN INTERDISCIPLINARY DESIGN PROCESS USING A SONIFICATION FRAMEWORK.
Proceedings ICAD 2015 (Proceedings ICAD 2015)
.
2015.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
Rigid Sphere Microphone Arrays for Spatial Recording and Holography.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2009.
Radiation modes of t-design and extremal-points compact spherical loudspeaker arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Reflection properties influencing the precedence effect.
(
).
44. Jahrestagung für Aksutik DAGA
.
2018.
Recognizability and Perceived Urgency of Bicycle Bells.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Raumklang.
In
,
Diwan - regionale 2008
Land Steiermark,
graz (Österreich),
2008.
Resources for speech synthesis of Viennese varieties.
(
).
Proceedings of LREC 2010
.
2010.
Room Acoustics Measurements with an Approximately Spherical Source of 120 Drivers.
Poster at ACOUSTICS 08 in Paris (Frankreich),
SFA, EAA, ASA (Frankreich),
SFA, EAA, ASA (Frankreich),
2008.
Real-Time Calculation of Frequency-Dependent Directivity Indexes in Singing.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
Spatial transformations for the enhancement of Ambisonic recordings.
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
Signal-independent approach to variable-perspective (6DoF) audio rendering from simultaneous surround recordings taken at multiple perspectives.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Sonification and particle physics.
In
,
Erstausgabe
Uni-Press Graz,
Karl-Franzens-Universität Graz (Österreich),
2008.
Sound Focusing in Rooms Using a Source with Controllable Directivity.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
SysSon - A Systematic Procedure to Develop Sonifications.
(
).
Proceedings of the International Conference on Auditory Display (Proc. ICAD 2012)
.
2012.
Sonification in computational physics - QCD-Audio.
(
).
SysMus - 1st International Conference of Students of Systematic Musicology
.
2008.
Simple technical prediction of phantom source widening.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Spatial Audio Rendering.
In
,
Quality of Experience
Springer,
Heidelberg (Deutschland),
2014.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Sweet area size for the envelopment of arecursive and a non-recursive diffusenessrendering approach.
(
).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
.
2019.
Sound Processes: A New Computer Music Framework.
(
).
Proceedings ICMC|SMC|2014
.
2014.
Spatial Sound With Loudspeakers and Its Perception: A Review of the Current State.
IEEE Signal Processing Letters,
101
(9):
pp. 1920-1938,
12
2013.
Publikationsjahr
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