Publikationen
Microphone arrays around rigid spheres for spatial recording and holography.
(
).
Fortschritte der Akustik (DAGA 10)
.
2010.
Modeling Spherical a Loudspeaker Systems as Multipole Source.
Fortschritte der Akustik (DAGA)
.
2007.
Multiple exponential sweep method for fast measurement of head-related transfer functions.
Journal of the Audio Engineering Society. audio, acoustics, applications,
55
pp. 623-637,
09
2007.
Modeling Radiation Synthesis with Spherical Loudspeaker Arrays.
Proceedings of the 19th ICA (ICA)
.
2007.
Motion-Enabled Live Electronics.
(
).
Proceedings of the 6th Sound and Music Computing Conference SMC 2009 (SMC 2009, Sound and Music Computing Conference, Porto, Portugal)
.
2009.
Murchison meteorite, 40 years after unprecedented molecular diversity of extraterrestrial organic matter.
Proceedings of the National Academy of Sciences of the United States of America,
03
2009.
Music Structure Discovery based on Normalized Cross Correlation.
(
).
Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10)
.
2010.
Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition.
In
,
Darmstädter Beiträge zur Neuen Musik
(pp. 23-35).
Schott,
Mainz (Deutschland),
2017.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Musical Understanding and Musical Leib.
The British journal of aesthetics,
01
2008.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Mexikanischer Tumulus.
In
,
Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016 – 2019
(pp. 124-126).
CLIO,
Graz (Österreich),
2019.
Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques.
(
).
Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
.
2018.
next generation 4.0 Festival ZKM Karlsruhe.
University of Music and Performing Arts Graz,
Graz (Austria),
2012.
New Sonification Tools for EEG Data Screening and Monitoring.
(
).
Proc ICAD 2007
.
2007.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Online Seashore-Test für musikalische Begabung.
Forum Neue Medien in der Lehre Austria,
pp. 26-27,
08
2020.
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration.
(
).
Proceedings of ICMC/SMC (ICMC/SMC)
.
2014.
Orchestrating Wall Reflections by Icosahedral Speaker.
Poster at ICMC A2014 Athen in Athen (Griechenland),
Internationale Computermusic Conference (Griechenland),
Internationale Computermusic Conference (Griechenland),
2014.
On Artistic Research in the Context of the Project Embodied Generative Music.
(
).
Proceedings of the 2009 International Computer Music Conference (International Computer Music Conference)
.
2009.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
Online und Zusammen.
Forum Neue Medien in der Lehre Austria,
pp. 5-7,
06
2020.
On the localization of auditory objects created by directional sound sources in a virtual room.
(
).
Tonmeistertagung 2018
.
2018.
On the decomposition of acoustic source radiation patterns measured with surrounding spherical microphone arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
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