Publikationen
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Modeling Radiation Synthesis with Spherical Loudspeaker Arrays.
Proceedings of the 19th ICA (ICA)
.
2007.
Musical Understanding and Musical Leib.
The British journal of aesthetics,
01
2008.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Murchison meteorite, 40 years after unprecedented molecular diversity of extraterrestrial organic matter.
Proceedings of the National Academy of Sciences of the United States of America,
03
2009.
Motion-Enabled Live Electronics.
(
).
Proceedings of the 6th Sound and Music Computing Conference SMC 2009 (SMC 2009, Sound and Music Computing Conference, Porto, Portugal)
.
2009.
Music Structure Discovery based on Normalized Cross Correlation.
(
).
Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10)
.
2010.
Near- and Far-Field Beamforming Using Spherical Loudspeaker Arrays.
Proceedings of the 3rd Congress of the Alps Adria Acoustics Association (AAAAC)
.
2007.
next generation 4.0 Festival ZKM Karlsruhe.
University of Music and Performing Arts Graz,
Graz (Austria),
2012.
Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques.
(
).
Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
.
2018.
New Sonification Tools for EEG Data Screening and Monitoring.
(
).
Proc ICAD 2007
.
2007.
Optimised TPA approach for improving interior sound engineering.
(
).
International Styrian Noise, Vibration & Harshness Congress (5th International Styrian Noise, Vibration & Harshness Congress)
.
2008.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration.
(
).
Proceedings of ICMC/SMC (ICMC/SMC)
.
2014.
Orchestrating Wall Reflections by Icosahedral Speaker.
Poster at ICMC A2014 Athen in Athen (Griechenland),
Internationale Computermusic Conference (Griechenland),
Internationale Computermusic Conference (Griechenland),
2014.
On Artistic Research in the Context of the Project Embodied Generative Music.
(
).
Proceedings of the 2009 International Computer Music Conference (International Computer Music Conference)
.
2009.
On the localization of auditory objects created by directional sound sources in a virtual room.
(
).
Tonmeistertagung 2018
.
2018.
On the decomposition of acoustic source radiation patterns measured with surrounding spherical microphone arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
Providing Ground-truth Data for the Nao Robot Platform.
(
).
RoboCup Symposium 2010
.
2010.
(
).
Proceedings of ICSA 2015.
(International Conference on Spatial Audio 2015
).
Verband Deutscher Tonmeister,
1700 Institut 17 Elektronische Musik und Akustik,
2015.
Principles and Considerations to Controllable Focused Sound Source Reproduction.
(
).
7th Eurocontrol Innovative Research Workshop & Exhibition
.
2008.
Practical Implementation of Radial Filters for Ambisonic Recordings.
(
).
Proc. of the International Conference on Spatial Audio 2011 (Proc. of the International Conference on Spatial Audio 2011)
.
2011.
Perceptual Evaluation of Spatial Resolution in Directivity Patterns.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
PhysioSonic - movement sonification as auditory feedback.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Publikationsjahr
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Publikationsart
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Interaction Design (37)
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