Publikationen
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Warping of the Recording Angle in Ambisonics.
(
).
Proc. of the International Conference on Spatial Audio 2011
.
2011.
Training and Guidance Tool for Listening Panels.
(
).
Fortschritte der Akustik DAGA2010: Deutsche Jahrestagung für Akustik
.
2010.
Plausible Auditory Augmentation of Physical Interaction.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue.
(
).
Proceedings of the Linux Audio Conference 2012 (Linux Audio Conference 2012)
.
2012.
Getting Mixed up with WFS, VBAP, HOA, TRM... From Acronymic Cacophony to a Generalized Rendering Toolbox.
(
).
DEGA Wave Field Synthesis Workshop, Ilmenau, Germany, September
.
2007.
Phantom Source Widening with Deterministic Frequency Dependent Time Delays.
(
).
DAFx-11 Proceedings (DAFx-11)
.
2011.
The influence of different BRIR modification techniques on externalization and sound quality.
(
).
Proceedings on the Spatial Audio Signal Processing Symposium (Proceedings on the Spatial Audio Signal Processing Symposium)
.
2019.
Flexible and Intuitive Pointing Method for 3-D Auditory Localization Experiments.
(
).
The Proceedings of The AES 38th International Conference (AES 38th International Conference on Sound Quality Evaluation)
.
2010.
(
).
EAA Winter School: Cutting Edge in Spatial Audio.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2013.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Artistic Research and the Advancement and Appreciation of the Arts at the Kunstuniversität Graz.
In
,
Kunst und Forschung - Können Künstler Forscher sein ? / Art and research - Can artists be researchers ?
(pp. 225-249).
Springer,
Wien (Österreich),
2011.
On the decomposition of acoustic source radiation patterns measured with surrounding spherical microphone arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
StiffNeck: The Electroacoustic Music Performance Venue in a Box.
(
).
Proceedings of the International Computer Music Conference 2014 (International Computer Music Conference)
.
2014.
sound plates as piano interface.
(
).
Re-new - IMAC 2011 Proceedings (IMAC 2011)
.
2012.
The CUBEMixer a Performance-, Mixing- and Masteringtool.
(
).
Proceedings of the LAC 2008 (Linux Audio Conference 2008)
.
2008.
Imitation Game: Real-Time Decision-making in an Interactive Composition for Human and Robotic Percussionist..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
ambiX - An ambiconics format (suggestion).
(
).
Proc. 3rd Ambisonics Symposium
.
2011.
Freer Than Max - porting FTM to Pure data.
(
).
Proceedings of the LAC 2008 (LAC)
.
2008.
Contextual Inquiry for a Climate Audio Interface.
(
).
Proceedings of the Interfaces and Human Computer Interaction (IHCI 2013)
.
2013.
Auditory assistance for timing presentations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Radiation modes of t-design and extremal-points compact spherical loudspeaker arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Reflection properties influencing the precedence effect.
(
).
44. Jahrestagung für Aksutik DAGA
.
2018.
Ambisonic Decoding with Panning-Invariant Loudness on Small Layouts (AllRAD2).
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
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