Publikationen
PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language.
In
,
AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
(pp. 287-291).
University of Nottingham,
Nottingham (Vereinigtes Königreich),
2019.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
The Audio Mixer as Creative Tool in Musical Composition and Performance.
(Beiträge zur Elektronischen Musik (BEM),
).
private publishing,
Institut für Elektronische Musik und Akustik (Österreich),
2011.
Gamelan oder Blasmusik.
Steirische Berichte,
02
2008.
All-Round Ambisonic Panning and Decoding.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(10):
pp. 807-820,
11
2012.
Extension of the generalized tangent law for multiple loudspeakers.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Musical Experience beyond audible Sound.
(
).
ICMC 2012
.
2012.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
PhysioSonic - movement sonification as auditory feedback.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
Workload Monitoring Through Speech Analysis: Towards a System for Air Traffic Control.
(
).
Proceedings of the 27th Congress of The International Council of Aeronautical Sciences
.
2010.
Zum Konzept musikalischer Gestik.
(
).
Musiktheorie als interdisziplinäres Fach; Reihe musik.theorien der gegenwart (GMTH-Konferenz 2008)
.
2010.
Perceptual Evaluation of Variable-Orientation Binaural Room Impulse Response Rendering.
(
).
Proceedings of 2019 AES International Conference on Immersive and Interactive Audio (2019 AES International Conference on Immersive and Interactive Audio)
.
2019.
Comparison of different approaches for calculation of sound radiation from an open pipe with a flow.
(
).
Proceedings ICTCA 2017 (ICTCA 2017)
.
2017.
Design and control of mixed-order spherical loudspeaker arrays.
(
).
Proc. ICMC (International Conference on Computer Music / New York Electronic Music Festival)
.
2019.
Auditory Perception of Spatial Extent in the Horizontal and Vertical PLane.
(
).
Proceedings DAFX 2016
.
2016.
Sound Optimization for Downsized Engines.
(
).
8th International Styrian Noise, Vibration & Harshness Congress: The European Automotive Noise Conference
.
2014.
Feedback Loop Shaping for Active Noise Control With Constraints of the Worst Case Secondary Paths.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
Sonification of Climate Data.
(
).
Proceedings of European Geoscience Assembly (Proceedings of European Geoscience Assembly)
.
2013.
Advancements in 3D Audio using Ambisonics.
(
).
TECNIACUSTICA'15
.
2015.
Measurement-Based Modal Beamforming Using Planar Circular Microphone Arrays.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Manipulations improving amplitude panning on small standard loudspeaker arrangements for surround with height.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
SONIFICATION OF A STREAMING-SERVER LOGFILE.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Publikationsjahr
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