Publikationen
Multiple exponential sweep method for fast measurement of head-related transfer functions.
Journal of the Audio Engineering Society. audio, acoustics, applications,
55
pp. 623-637,
09
2007.
(
).
Proceedings of the ICSA 2017.
(International Conference on Spatial Audio 2017
).
VDT,
Graz (Österreich),
2017.
Idea for Sign-Change Retrieval in Magnitude Directivity Patterns.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Collaborative Design Methods towards Evaluation of a Tangible Interface.
(
).
Proceedings of ICLI 2018
.
2018.
Sweet area size for the envelopment of arecursive and a non-recursive diffusenessrendering approach.
(
).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
.
2019.
Improvisation as Epistemic Practice.
(
).
(re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation)
.
2013.
Token of Enunciation in Multimedia Performance.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
On Artistic Research in the Context of the Project Embodied Generative Music.
(
).
Proceedings of the 2009 International Computer Music Conference (International Computer Music Conference)
.
2009.
Are Loudspeaker Arrays Musical Instruments?.
(
).
Proceedings (ICSA Graz 2017)
.
2017.
Data-Driven Auditory Contrast Enhancement For Everyday Sounds And Sonifications.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2019.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Amplitude Panning with Height on 2, 3, and 4 Loudspeakers.
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
Designing simulacra or the electronic replication of a mechanical instrument.
(
).
Proceedings of the 9th Sound and Music Computing Conference (SMC Sound and Music Computing Conference)
.
2012.
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
Modeling Radiation Synthesis with Spherical Loudspeaker Arrays.
Proceedings of the 19th ICA (ICA)
.
2007.
Segment Related Classification for Automatic Genre Detection.
(
).
Fortschritte der Akustik (Jahrestagung für Akustik)
.
2011.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
Simple Reduction of Front-Back Confusion in Static Binaural Rendering.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
3D sound source localization using a spherical microphone array.
(
).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
Towards a Boundary Condition for Convective Wave Equation and Sound Diffraction at a Trailing Edge Inside Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Efficient Phantom Source Widening and Diffuseness in Ambisonics.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Identification of secondary-path irregularities for active-noise-control headphones.
(
).
Proceedings of the Internoise 2013
.
2013.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
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