Publikationen
Audio Pitch Shifting Using the Constant-Q Transform.
Journal of the Audio Engineering Society. audio, acoustics, applications,
61
(7):
pp. 562-572,
01
2013.
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker.
Computer music journal,
41
(3):
pp. 50-68,
11
2017.
Hören! Haltung! Körper und Klangkunst.
Kunsttexte.de [Elektronische Ressource]. kritische Texte und Bilder zur Geschichte der Kunst,
02
2011.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Binaural jitter improves interaural time-difference sensitivity of cochlear implantees at high pulse rates.
Proceedings of the National Academy of Sciences of the United States of America,
105
pp. 814-817,
02
2008.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Media[e]scapes.
Graz architecture magazine. building design, culture art, theory, history, nature practice place, planning technology, media,
5
02
2008.
Gamelan oder Blasmusik.
Steirische Berichte,
02
2008.
Österreichische Musikzeitschrift.
Österreichische Musikzeitschrift,
pp. 24-40,
03
2009.
Embodiment", Elektroakustische Musik und Expressivität".
Positionen. Texte zur aktuellen Musik,
02
2010.
Personal noise ranking of road traffic: Subjective estimation versus physiological parameters under laboratory conditions.
International journal of hygiene and environmental health. official journal of the German Society of Hygiene, Environmental and Public Health Sciences,
210
(2):
pp. 97-105,
02
2007.
Translating Sonifications.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(11):
pp. 926-935,
01
2012.
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
Ambisonic Decoding with Constant Angular Spread.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 928-936,
11
2014.
Ambisonic Decoding with Constant Angular Spread.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 928-936,
04
2014.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter.
Neue Zeitschrift für Musik,
02
2011.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
Publikationsjahr
Publikationsart
Zeitschriftenartikel (67)
Themenfeld
Computermusik (9)
Embodiment (1)
Klang und Raum (2)
Live-Elektronik (1)
Psychoakustik (17)
Sonifikation (5)
Spatial Audio (21)
Schlagwort
Ambisonics (1)
audience (1)
code (1)
live coding (1)
perception (1)
psycho acoustics (1)
readability (1)