Publikationen
Hören! Haltung! Körper und Klangkunst.
Kunsttexte.de [Elektronische Ressource]. kritische Texte und Bilder zur Geschichte der Kunst,
02
2011.
Audio Pitch Shifting Using the Constant-Q Transform.
Journal of the Audio Engineering Society. audio, acoustics, applications,
61
(7):
pp. 562-572,
01
2013.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker.
Computer music journal,
41
(3):
pp. 50-68,
11
2017.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter.
Neue Zeitschrift für Musik,
02
2011.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Media[e]scapes.
Graz architecture magazine. building design, culture art, theory, history, nature practice place, planning technology, media,
5
02
2008.
Binaural jitter improves interaural time-difference sensitivity of cochlear implantees at high pulse rates.
Proceedings of the National Academy of Sciences of the United States of America,
105
pp. 814-817,
02
2008.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
All-Round Ambisonic Panning and Decoding.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(10):
pp. 807-820,
11
2012.
Gamelan oder Blasmusik.
Steirische Berichte,
02
2008.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
Österreichische Musikzeitschrift.
Österreichische Musikzeitschrift,
pp. 24-40,
03
2009.
Embodiment", Elektroakustische Musik und Expressivität".
Positionen. Texte zur aktuellen Musik,
02
2010.
Publikationsjahr
Publikationsart
Zeitschriftenartikel (67)
Themenfeld
Computermusik (9)
Embodiment (1)
Klang und Raum (2)
Live-Elektronik (1)
Psychoakustik (17)
Sonifikation (5)
Spatial Audio (21)
Schlagwort
Ambisonics (1)
audience (1)
code (1)
live coding (1)
perception (1)
psycho acoustics (1)
readability (1)