Publikationen
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
Hören! Haltung! Körper und Klangkunst.
Kunsttexte.de [Elektronische Ressource]. kritische Texte und Bilder zur Geschichte der Kunst,
02
2011.
Audio Pitch Shifting Using the Constant-Q Transform.
Journal of the Audio Engineering Society. audio, acoustics, applications,
61
(7):
pp. 562-572,
01
2013.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker.
Computer music journal,
41
(3):
pp. 50-68,
11
2017.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter.
Neue Zeitschrift für Musik,
02
2011.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Online Seashore-Test für musikalische Begabung.
Forum Neue Medien in der Lehre Austria,
pp. 26-27,
08
2020.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Media[e]scapes.
Graz architecture magazine. building design, culture art, theory, history, nature practice place, planning technology, media,
5
02
2008.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Binaural jitter improves interaural time-difference sensitivity of cochlear implantees at high pulse rates.
Proceedings of the National Academy of Sciences of the United States of America,
105
pp. 814-817,
02
2008.
From Artificial to Extended Intelligence in Music Composition.
Organised Sound,
07
2020.
Gamelan oder Blasmusik.
Steirische Berichte,
02
2008.
All-Round Ambisonic Panning and Decoding.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(10):
pp. 807-820,
11
2012.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Predicted Roughness Perception for Simulated Vehicle Interior Noise.
SAE International journal of engines,
5
(3):
pp. 1524-1532,
12
2012.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
Publikationsjahr
Publikationsart
Zeitschriftenartikel (74)
Themenfeld
Computermusik (10)
Embodiment (1)
Klang und Raum (2)
Live-Elektronik (2)
Psychoakustik (18)
Sonifikation (6)
Spatial Audio (23)
Schlagwort
Ambisonics (1)
audience (1)
code (1)
live coding (1)
perception (1)
psycho acoustics (1)
readability (1)