Publikationen
Sonification and HCI.
In
,
New Directions in Third Wave Human-Computer Interaction: Volume 1 - Technologies
Springer International Publishing,
NY (Vereinigte Staaten (USA)),
2018.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
Sound Optimization for Downsized Engines.
In
,
Automotive NVH Technology
(pp. 13-27).
Springer,
Berlin (Deutschland),
2015.
PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language.
In
,
AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
(pp. 287-291).
University of Nottingham,
Nottingham (Vereinigtes Königreich),
2019.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
Preface.
In
,
Art in Motion
(pp. 8-9).
Peter Lang,
Frankfurt am Main (Deutschland),
2009.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
Contextual Inquiry for a Climate Audio Interface.
In
,
Human-Computer Interfaces and Interactivity: Emergent Research and Applications
IGI Global,
Hershey, PA (Vereinigte Staaten (USA)),
2014.
Artistic Research at the University of Music and Performing Arts Graz - Interim Assessment and Perspectives.
In
,
Artistic Research in Music: Discipline and Resistance
(pp. 254-258).
Leuven University Press,
Leuven (Belgien),
2017.
Sonification and particle physics.
In
,
Erstausgabe
Uni-Press Graz,
Karl-Franzens-Universität Graz (Österreich),
2008.
Reconstructing sound source directivity in virtual acoustic environments.
In
,
Principles and Applications of Spatial Hearing
World Scientific Publishing Co Pte Ltd,
Sendai (Japan),
2011.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
abgedrucktes Interview.
In
,
Composición Algorítmica – matemáticas y ciencias de la computación en la creación musical
Universidad de Quilmes,
Buenos Aires (Argentinien),
2018.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Artistic Research and the Advancement and Appreciation of the Arts at the Kunstuniversität Graz.
In
,
Kunst und Forschung - Können Künstler Forscher sein ? / Art and research - Can artists be researchers ?
(pp. 225-249).
Springer,
Wien (Österreich),
2011.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
Haben Sie bereits Antworten ?.
HKB Verlag,
Bern (Schweiz),
2009.
Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition.
In
,
Darmstädter Beiträge zur Neuen Musik
(pp. 23-35).
Schott,
Mainz (Deutschland),
2017.
Spatial Audio Rendering.
In
,
Quality of Experience
Springer,
Heidelberg (Deutschland),
2014.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Publikationsjahr
Editor
Publikationsart
Buchkapitel (41)
Themenfeld
Computermusik (5)
Embodiment (3)
Klang und Raum (3)
Live-Elektronik (2)
Psychoakustik (4)
Sonifikation (3)
Spatial Audio (2)
Schlagwort
Sounddesign (1)