Publikationen
Amplitude Panning between beamforming-controlled direct and reflected sound.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
The effect of monaural masking on instrument identification.
Journal of the Audio Engineering Society. audio, acoustics, applications,
02
2011.
Exploration of sonification design process through an interdisciplinary workshop.
Journal on multimodal user interfaces,
01
2015.
Designing Audience-Work Relationships.
In
,
Sound Works
Leiden University Press,
Orpheus Institute (Belgien),
2020.
Musical Understanding and Musical Leib.
The British journal of aesthetics,
01
2008.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
Design and Evaluation of a Spherical Segment Array with Double Cone.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
How level, delay, and spatial separation influence the echo threshold.
(
).
Forstschritte der Akustik - DAGA 2019
.
2019.
WAS IST QUALITÄT?.
Poster at Lange Nacht der Forschung in Joanneum Research Graz (Österreich),
GPK Event- und Kommunikationsmanagement GmbH (Österreich),
GPK Event- und Kommunikationsmanagement GmbH (Österreich),
2009.
Embodied Generative Music Projektposter (englisch).
Poster at Art in Motion" Konferenz in Kunstuniversität Graz (Österreich)",
Institut 5 Musikpädagogik,
University of Music and Performing Arts Graz (Austria),
2008.
Vortrag über Strategien, Techniken und Rätsel der Werkreihe {kA} : keine Ahnung von Schwerkraft.
Poster at Eröffnungswoche Atelier Klangforschung Würzburg in Atelier Klangforschung (Deutschland),
Atelier Klangforschung (Deutschland),
Atelier Klangforschung (Deutschland),
2013.
Transaural Beamforming Methods for Controllable Focused Sound Reproduction.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2009.
FWF-Projekt Zwischenbericht 2008.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2009.
Lecture über audiovisuelle Raumkomposition.
Poster at Vortrag an der KHM Köln in KHM Köln (Deutschland),
KHM Köln (Deutschland),
KHM Köln (Deutschland),
2013.
FWF-Projekt Zwischenbericht 2009.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
IEM-Report 14/03: Studie zur Steuerung der örtlichen Schallfeldkonzentration.
University of Music and Performing Arts Graz,
Graz (Austria),
2003.
next generation 4.0 Festival ZKM Karlsruhe.
University of Music and Performing Arts Graz,
Graz (Austria),
2012.
Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework.
University of Plymouth (Vereinigtes Königreich),
University of Plymouth (Vereinigtes Königreich),
2014.
Das Institut für Elektronische Musik und Akustik Graz.
Poster at next_generations 4.0 Festival in ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
2011.
Orchestrating Wall Reflections by Icosahedral Speaker.
Poster at ICMC A2014 Athen in Athen (Griechenland),
Internationale Computermusic Conference (Griechenland),
Internationale Computermusic Conference (Griechenland),
2014.
Automatic Mixing for Immersive Teleconferencing Systems.
Poster at DAGA 2016 in Aachen (Deutschland),
DEGA (Deutschland),
DEGA (Deutschland),
2016.
SysSon: A Systematic Design for the Sonification of Radio Occultation Data.
Poster at International Workshop on Occulation for Probing Atmosphere and Climate (OPAC-IROWG) in Schloß Seggau bei Leibnitz (Österreich),
Wegener Center for Climate and Global Change (Österreich),
Wegener Center for Climate and Global Change (Österreich),
2013.
Endbericht FWF-Projekt.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
Patentschrift AT 507 588 B1 2011-12-15.
[Verfahren zum Bearbeiten von Audio-Daten in eine verdichtete Version].
University of Music and Performing Arts Graz,
Graz (Austria),
2011.
Publikationsjahr
Editor
Publikationsart
Konferenzband-Beitrag (272)
Zeitschriftenartikel (69)
Buchkapitel (44)
Poster (31)
Buch (14)
Forschungsbericht (12)
Masterarbeit (7)
Doktorarbeit (5)
Sammelwerk (Hg.) (4)
Themenfeld
Computermusik (49)
Embodiment (6)
Interaction Design (37)
Klang und Raum (19)
Live-Elektronik (13)
Psychoakustik (100)
Sonifikation (42)
Spatial Audio (126)
Schlagwort
PATENTSCHRIFT (7)
sonification (6)
Sonification (5)
Audification (2)
climatology (2)
computer music (2)
focus (2)
sound field (2)
ASD (1)
Akustik (1)
Ambisonics (1)
Binaural (1)
E-Sound (1)
Mixer (1)
POINT (1)
Patent (1)
Physical Fitness (1)
Pure Data (1)
Pure data (1)
Sonifikation (1)
Sounddesign (1)
Spatial Audio (1)
Spatialisation (1)
Speech (1)
Teleconferencing (1)
alarm sound (1)
audience (1)
bicycle bell (1)
climate (1)
code (1)
electric power (1)
electricity (1)
fuzz testing (1)
live coding (1)
perception (1)
plausibility (1)
psycho acoustics (1)
readability (1)
recognizability (1)
typicality (1)
unit tests (1)
urgency (1)
usability (1)
warning sound (1)