Publikationen
Directivity Patterns Controlling the Auditory Distance.
(
).
Proceedings DAFX 2016
.
2016.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Sound Art – Synthesis Based on Rhythm and Feature Extraction.
(
).
Tagungsband zur 25. Tonmeistertagung 2008
.
2008.
SONIFICATION OF A STREAMING-SERVER LOGFILE.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration.
(
).
Proceedings of ICMC/SMC (ICMC/SMC)
.
2014.
Experiment on externalization in binaural directional-source auralization.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Simple Reduction of Front-Back Confusion in Static Binaural Rendering.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Efficient Phantom Source Widening and Diffuseness in Ambisonics.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Application of localization models for vertical phantom sources.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Fb1 - An interface for single sample feedback and feedforwardin SuperCollider.
In
,
Proceedings of the 17thSound and Music Computing Conference
(pp. 200-203).
Axea sas/SMC Network,
Torino (Italien),
2020.
Speech Features for Stress Recognition: Universal Applicability of State-of-the-Art Methods.
VDM Verlag Dr. Müller,
Saarbrücken (Deutschland),
2010.
Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition.
Springer,
Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)),
2015.
Psychoacoustical Background of Dynamics Processing in Audio.
26. TonmeisterInnentagung, TMT vom 25. - 28. November 2009, Leipzig, Deutschland (26. TonmeisterInnentagung)
.
2009.
An Ambisonics Format for Flexible Playback Layouts.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
(
).
Proceedings of the DAFx-10.
(DAFx-10
).
private publishing,
Graz (Österreich),
2010.
Principles and Considerations to Controllable Focused Sound Source Reproduction.
(
).
7th Eurocontrol Innovative Research Workshop & Exhibition
.
2008.
Peripheral Sonification by Means of Virtual Room Acoustics.
Computer music journal,
44
(1):
pp. 71-88,
05
2021.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
Sonification of Climate Data.
(
).
Proceedings of European Geoscience Assembly (Proceedings of European Geoscience Assembly)
.
2013.
Gestonic: A Gesture Based Timbre Control.
(
).
Proceedings of the HCI International 2009 (Proceedings of the HCI International)
.
2009.
Klangmodellierungsansätze und Ergebnisse für Gamelaninstrumente des lauten Stils.
Fortschritte der Akustik (DAGA)
.
2007.
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