Publikationen
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Identification of secondary-path irregularities for active-noise-control headphones.
(
).
Proceedings of the Internoise 2013
.
2013.
Simple Reduction of Front-Back Confusion in Static Binaural Rendering.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Evaluation of Three Auditory-Sculptural Qualities Created by an Icosahedral Loudspeaker.
Applied Sciences,
9
(13):
07
2019.
Phantom Source Widening with Deterministic Frequency Dependent Time Delays.
(
).
DAFx-11 Proceedings (DAFx-11)
.
2011.
Augmentation of an Institute's Kitchen: an Ambient Auditory Display of Electric Power Consumption.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Klangmodellierungsansätze und Ergebnisse für Gamelaninstrumente des lauten Stils.
Fortschritte der Akustik (DAGA)
.
2007.
Working in the Aesthetic Lab.
(
).
Proceedings of the Sensuous Knowledge Conference Bergen (Sensuous Knowledge Conference Bergen)
.
2009.
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Warping of the Recording Angle in Ambisonics.
(
).
Proc. of the International Conference on Spatial Audio 2011
.
2011.
Flexible and Intuitive Pointing Method for 3-D Auditory Localization Experiments.
(
).
The Proceedings of The AES 38th International Conference (AES 38th International Conference on Sound Quality Evaluation)
.
2010.
Training and Guidance Tool for Listening Panels.
(
).
Fortschritte der Akustik DAGA2010: Deutsche Jahrestagung für Akustik
.
2010.
Plausible Auditory Augmentation of Physical Interaction.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue.
(
).
Proceedings of the Linux Audio Conference 2012 (Linux Audio Conference 2012)
.
2012.
Getting Mixed up with WFS, VBAP, HOA, TRM... From Acronymic Cacophony to a Generalized Rendering Toolbox.
(
).
DEGA Wave Field Synthesis Workshop, Ilmenau, Germany, September
.
2007.
(
).
EAA Winter School: Cutting Edge in Spatial Audio.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2013.
Artistic Research and the Advancement and Appreciation of the Arts at the Kunstuniversität Graz.
In
,
Kunst und Forschung - Können Künstler Forscher sein ? / Art and research - Can artists be researchers ?
(pp. 225-249).
Springer,
Wien (Österreich),
2011.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 945-955,
10
2014.
(
).
Proceedings.
(Linux Audio Conference 2013
).
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2013.
Simulation of Room Transfer Functions with Directivity on the Basis of Modes.
(
).
Fortschritte der Akustik - DAGA (DAGA 2017)
.
2017.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Radiation modes of t-design and extremal-points compact spherical loudspeaker arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Publikationsjahr
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