Publikationen
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Identification of secondary-path irregularities for active-noise-control headphones.
(
).
Proceedings of the Internoise 2013
.
2013.
Simple Reduction of Front-Back Confusion in Static Binaural Rendering.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Evaluation of Three Auditory-Sculptural Qualities Created by an Icosahedral Loudspeaker.
Applied Sciences,
9
(13):
07
2019.
Phantom Source Widening with Deterministic Frequency Dependent Time Delays.
(
).
DAFx-11 Proceedings (DAFx-11)
.
2011.
Augmentation of an Institute's Kitchen: an Ambient Auditory Display of Electric Power Consumption.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Klangmodellierungsansätze und Ergebnisse für Gamelaninstrumente des lauten Stils.
Fortschritte der Akustik (DAGA)
.
2007.
Working in the Aesthetic Lab.
(
).
Proceedings of the Sensuous Knowledge Conference Bergen (Sensuous Knowledge Conference Bergen)
.
2009.
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Warping of the Recording Angle in Ambisonics.
(
).
Proc. of the International Conference on Spatial Audio 2011
.
2011.
Flexible and Intuitive Pointing Method for 3-D Auditory Localization Experiments.
(
).
The Proceedings of The AES 38th International Conference (AES 38th International Conference on Sound Quality Evaluation)
.
2010.
Training and Guidance Tool for Listening Panels.
(
).
Fortschritte der Akustik DAGA2010: Deutsche Jahrestagung für Akustik
.
2010.
Plausible Auditory Augmentation of Physical Interaction.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue.
(
).
Proceedings of the Linux Audio Conference 2012 (Linux Audio Conference 2012)
.
2012.
Getting Mixed up with WFS, VBAP, HOA, TRM... From Acronymic Cacophony to a Generalized Rendering Toolbox.
(
).
DEGA Wave Field Synthesis Workshop, Ilmenau, Germany, September
.
2007.
(
EAA Winter School: Cutting Edge in Spatial Audio.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2013.
).
Artistic Research and the Advancement and Appreciation of the Arts at the Kunstuniversität Graz.
In
,
Kunst und Forschung - Können Künstler Forscher sein ? / Art and research - Can artists be researchers ?
(pp. 225-249).
Springer,
Wien (Österreich),
2011.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 945-955,
10
2014.
(
Proceedings.
(Linux Audio Conference 2013
).
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2013.
).
Simulation of Room Transfer Functions with Directivity on the Basis of Modes.
(
).
Fortschritte der Akustik - DAGA (DAGA 2017)
.
2017.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Radiation modes of t-design and extremal-points compact spherical loudspeaker arrays.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Publikationsjahr
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