Publikationen
BRIR Synthesis Using First-Order Microphone Arrays.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Variable-Orientation Binaural Room Impulse Response Rendering.
(
).
Tonmeistertagung 2018
.
2018.
Automatic Mixing for Immersive Teleconferencing Systems.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Production and application of room impulse responses for multichannel setups using FLOSS tools.
(
).
Linux Audio Conference 2013 Proceedings (Linux Audio Conference 2013)
.
2013.
Comparison of first-order Ambisonic microphone arrays.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
Detection of Spatial Displacement in Musical Scenes.
(
).
Proc. Forum Acusticum 2011
.
2011.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker.
Computer music journal,
41
(3):
pp. 50-68,
11
2017.
The Influence of the Floor Reflection on the Perception of Sound Elevation.
(
).
Fortschritte der Akustik
.
2017.
Investigations on Perceptual Phenomena of the Precedence Effect using a Bessel Sequence.
(
).
Proceedings of the 142nd AES Convention (AES 142nd Convention)
.
2017.
Joint spherical beamforming for the analysis of reflections in rooms.
(
).
Proceedings of the Acoustics 2012 in Hong Kong (Acoustics 2012 Hong Kong)
.
2012.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
How to make Ambisonics sound good.
(
).
Proceedings of Forum Acusticum (Forum Acusticum)
.
2014.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Evaluation of Interactive Localization in Virtual Acoustic Scenes.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Spatial and Timbral Fidelities of Binaural Ambisonics Decoders for Main Microphone Array Recordings.
(
).
Proceedings of 2019 AES International Conference on Immersive and Interactive Audio (2019 AES International Conference on Immersive and Interactive Audio)
.
2019.
Improving Externalization in Ambisonic Binaural Decoding.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Auditory object localization of the variable-directivity icosahedral loudspeaker.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Producing 3D Audio in Ambisonics.
(
).
Proceedings of AES 57th Conference (AES 57th Conference on The Future of Audio Entertainment Technology)
.
2015.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Low-frequency trick to improve externalization with non-individual HRIRs.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Kompakte 16-Kanal-Kugellautsprecheranordnung.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Publikationsjahr
Editor
Publikationsart
Themenfeld
Schlagwort
Ambisonics (1)
Status
veröffentlicht (106)