Publikationen
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
Audio Pitch Shifting Using the Constant-Q Transform.
Journal of the Audio Engineering Society. audio, acoustics, applications,
61
(7):
pp. 562-572,
01
2013.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker.
Computer music journal,
41
(3):
pp. 50-68,
11
2017.
Hören! Haltung! Körper und Klangkunst.
Kunsttexte.de [Elektronische Ressource]. kritische Texte und Bilder zur Geschichte der Kunst,
02
2011.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Gamelan oder Blasmusik.
Steirische Berichte,
02
2008.
All-Round Ambisonic Panning and Decoding.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(10):
pp. 807-820,
11
2012.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
Translating Sonifications.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(11):
pp. 926-935,
01
2012.
Efficient Phantom Source Widening.
Archives of Acoustics,
38
(1):
pp. 27-37,
09
2013.
Ambisonic Decoding with Constant Angular Spread.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 928-936,
11
2014.
Ambisonic Decoding with Constant Angular Spread.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 928-936,
04
2014.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation.
Presence. teleoperators and virtual environments,
26
(2):
pp. 111-137,
02
2018.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter.
Neue Zeitschrift für Musik,
02
2011.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
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Zeitschriftenartikel (56)
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Computermusik (9)
Embodiment (1)
Klang und Raum (2)
Live-Elektronik (1)
Psychoakustik (14)
Sonifikation (1)
Spatial Audio (20)
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Ambisonics (1)
audience (1)
code (1)
live coding (1)
perception (1)
psycho acoustics (1)
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veröffentlicht (56)