Publikationen
On the localization of auditory objects created by directional sound sources in a virtual room.
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Tonmeistertagung 2018
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2018.
How the perception of moving sound beams is influenced by masking and reflector setup.
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Tonmeistertagung 2018
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2018.
Evaluating a method for the analysis of performance practices in electronic music.
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International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
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2015.
Else. An Artistic Study on Algorithmic Agency in Sound Synthesis Composition.
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Proceedings of the 45th International Computer Music Conference 2019 (45th International Computer Music Conference)
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2019.
Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques.
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Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
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2018.
IRMA (Interactive Real-time Measurement of Attention). A method for the investigation of audiovisual computer music performances..
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Proceedings of the 2019 International Computer Music Conference
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2019.
Stop challenging technology! Towards content-based audio production.
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Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
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2017.
The SysSon Platform: A Computer Music Perspective of Sonification.
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Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
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2015.
Imitation Game: Real-Time Decision-making in an Interactive Composition for Human and Robotic Percussionist..
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Proceedings of the 2019 International Computer Music Conference
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2019.
Collaborative Design Methods towards Evaluation of a Tangible Interface.
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Proceedings of ICLI 2018
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2018.
The Temporality of (un|non)selection.
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Proceedings of the Fifth Conference on Computation, Communication, Aesthetics and X (xCoAx 2017)
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2017.
Token of Enunciation in Multimedia Performance.
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Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
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2017.
utruchirp: an impulse response measurement and auralisation tool developed for artistic practice.
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Proceedings of the 15th International Conference on Audio Mostly (Audio Mostly 2020 - a conference on interaction with sound)
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2020.
A Sonification Interface Unifying Real-Time and Offline Processing.
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Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
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2017.
Anemone Actiniaria.
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Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoax)
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2016.
Writing (about) Writing Machines.
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Almat 2020 - Symposium on Algorithmic Agency in Artistic Practice
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2020.
Token of Enunciation in Multimedia Performance.
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).
International Computer Music Conference Proceedings (International Computer Music Conference)
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2017.
Acoustic modelling as a strategy for composing site-specific music.
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).
Proceedings of the 15th International Conference on Audio Mostly (Audio Mostly 2020 - a conference on interaction with sound)
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2020.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
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Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
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2017.
Musical sonification in electronic therapy aids for motor-functional treatment - a smartphone approach.
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Proceedings of the Sound and Music Computing Conference 2016 (SMC)
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2016.
Exploring Participatory Sound Art..
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Proceedings of the 2019 International Computer Music Conference
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2019.
Konstruierte Räume. Ästhetische Implikationen von Verfahren und Werkzeugen der Binauraltechnik.
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29. Internationale Tonmeistertagung des VDT
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2016.
Binaural Floss – Exploring Media, Immersion, Technology.
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Proceedings of the Linux Audio Conference
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2017.
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy..
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EAW2015: technology as a tool for creating music: proceedings
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2015.
Körper.
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xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
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2018.
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