Publikationen
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
HRTF modelling in due consideration variable torso reflections.
(
).
ACOUSTICS 08 (ACOUSTICS 08)
.
2008.
Improving Externalization in Ambisonic Binaural Decoding.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
IRMA (Interactive Real-time Measurement of Attention). A method for the investigation of audiovisual computer music performances..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
Subjective Sound Quality Evaluation of a Codec for Digital Wireless Transmission.
(
).
Proceedings of the AES 132nd Convention (AES 132nd Convention)
.
2012.
Localization of multiple acoustic sources with a distributed array of unsynchronized first-order ambisonics microphones.
(
).
Proceedings of the 6th Congress of the Alps Adria Acoustic Association (Congress of the Alps Adria Acoustic Association)
.
2014.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Spatial transformations for the enhancement of Ambisonic recordings.
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques.
(
).
Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
.
2018.
Soundtransformations based on the Modulation Power Spectrum.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Spherical microphone array equalization for Ambisonic playback.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Producing 3D Audio in Ambisonics.
(
).
Proceedings of AES 57th Conference (AES 57th Conference on The Future of Audio Entertainment Technology)
.
2015.
Chroma and MFCC based pattern recognition in audio files utilizing hidden Markov models and dynamic programming.
(
).
Proceedings of the 12th International Conference on Digital Audio Effects (DAFx-09)
.
2009.
Comprehensive Array Measurements of In-Car Sound Field in Magnitude and Phase for Active Sound Generation and Noise Control.
SAE International journal of passenger cars : Electronic and electrical systems,
7
(2):
01
2014.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter.
Neue Zeitschrift für Musik,
02
2011.
Efficient Phantom Source Widening.
Archives of Acoustics,
38
(1):
pp. 27-37,
09
2013.
(
).
Ambisonics Symposium 2009.
private publishing,
Graz (Österreich),
2009.
Modeling Radiation Synthesis with Spherical Loudspeaker Arrays.
Proceedings of the 19th ICA (ICA)
.
2007.
Directivity Patterns Controlling the Auditory Distance.
(
).
Proceedings DAFX 2016
.
2016.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
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