Publikationen
Subjective Sound Quality Evaluation of a Codec for Digital Wireless Transmission.
(
).
Proceedings of the AES 132nd Convention (AES 132nd Convention)
.
2012.
Localization of multiple acoustic sources with a distributed array of unsynchronized first-order ambisonics microphones.
(
).
Proceedings of the 6th Congress of the Alps Adria Acoustic Association (Congress of the Alps Adria Acoustic Association)
.
2014.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Spatial transformations for the enhancement of Ambisonic recordings.
(
).
Proceedings of the International Conference on Spatial Audio 2014 (International Conference on Spatial Audio 2014)
.
2014.
Spherical microphone array equalization for Ambisonic playback.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Producing 3D Audio in Ambisonics.
(
).
Proceedings of AES 57th Conference (AES 57th Conference on The Future of Audio Entertainment Technology)
.
2015.
IRMA (Interactive Real-time Measurement of Attention). A method for the investigation of audiovisual computer music performances..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
Fb1_ODE – an Interface for Synthesis and Sound Processing with Ordinary Differential Equations in SuperCollider.
In
,
Proceedings of the 18thSound and Music Computing Conference
(pp. 154-158).
Axea sas/SMC Network,
Torino (Italien),
2021.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
(
).
Ambisonics Symposium 2009.
private publishing,
Graz (Österreich),
2009.
Modeling Radiation Synthesis with Spherical Loudspeaker Arrays.
Proceedings of the 19th ICA (ICA)
.
2007.
Efficient Phantom Source Widening.
Archives of Acoustics,
38
(1):
pp. 27-37,
09
2013.
Quantum Harmonic Oscillator Sonification.
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Acoustic center and orientation analysis of sound-radiation recorded with a surrounding spherical microphone array.
(
).
Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics (Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics)
.
2010.
Augmented Practice-Room - Augmented Acoustics in Music Education.
(
).
Fortschritte der Akustik, DAGA (Fortschritte der Akustik, DAGA)
.
2020.
Augmented Acoustics for Ensembles.
(
).
Fortschritte der Akustik 2021 (DAGA 2021)
.
2021.
Efficient Phantom Source Widening and Diffuseness in Ambisonics.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Application of localization models for vertical phantom sources.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Directivity Patterns Controlling the Auditory Distance.
(
).
Proceedings DAFX 2016
.
2016.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Sound Art – Synthesis Based on Rhythm and Feature Extraction.
(
).
Tagungsband zur 25. Tonmeistertagung 2008
.
2008.
SONIFICATION OF A STREAMING-SERVER LOGFILE.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
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