Publikationen
Promenade. Anekdote, Alltag, Abbild.
Wolke,
Hofheim (Deutschland),
2019.
How binaural room impulse responses influence the externalization of speech.
(
).
DAGA 2019 (Forstschritte der Akustik - DAGA 2019)
.
2019.
Phantom Source Widening by Filtered Sound Objects.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
A Speech Database for Stress Monitoring in the Cockpit.
Proceedings of the Institution of Mechanical Engineers, Part G: Journal of Aerospace Engineering,
02
2012.
Articulation of Climate Scientists vis-à-vis Data Analysis and Sonification.
International journal of human - computer studies,
01
2015.
Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik.
In
,
10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg
HfMT Hamburg,
Hamburg (Deutschland),
2015.
Designing Audience-Work Relationships.
In
,
Sound Works
Leiden University Press,
Orpheus Institute (Belgien),
2020.
Exploration of sonification design process through an interdisciplinary workshop.
Journal on multimodal user interfaces,
01
2015.
Amplitude Panning between beamforming-controlled direct and reflected sound.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
How level, delay, and spatial separation influence the echo threshold.
(
).
Forstschritte der Akustik - DAGA 2019
.
2019.
Exploring the perceptual sweet area in Ambisonics.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Frequency-dependend amplitude-panning curves.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Localization of Amplitude-Panned Stereophonic Phantom Sources in the Horizontal Plane.
Journal of the Audio Engineering Society. audio, acoustics, applications,
01
2012.
Audio-Visual Analytics: Potential Applications of combined Sonifications and Visualizations.
(
).
IEEE VIS 2022 (Proceedings IEEE VIS 2022)
.
2022.
Towards an Aesthetic of Electronic Music Performance Practice.
(
).
International Conference for Live Interfaces Proceedings (International Conference for Live Interfaces)
.
2014.
Anna & Marie - Two Project Reports.
In
,
Ludified
The Green Box,
Berlin (Deutschland),
2020.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Musical Understanding and Musical Leib.
The British journal of aesthetics,
01
2008.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
The effect of monaural masking on instrument identification.
Journal of the Audio Engineering Society. audio, acoustics, applications,
02
2011.
THE INFORMATION CAPACITY OF PLAUSIBLE AUDITORY AUGMENTATIONS: PERCUSSION OF RECTANGULAR PLATES.
(
).
Proc ISON 2022 (ISON)
.
2022.
De- und Rekonstruktionen von Körper-Klang-Ausdrucksbeziehungen Das “Embodied Generative Music”-Projekt.
(
).
Challenging Music, Dance and Performance. The Electronic Media (Challenging Music, Dance and Performance. The Electronic Media)
.
2009.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
Raumklang.
In
,
Diwan - regionale 2008
Land Steiermark,
graz (Österreich),
2008.
Die Begegnung mit dem Neuen suchen - 50 Jahre IEM.
In
,
Musikprotokoll
ORF,
Wien (Österreich),
2015.
Publikationsjahr
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