Publikationen
Die lange Saite.
(
).
Diwan - regionale 2008 (Katalog zum Festival)
.
2008.
Simple Uncertainty Prediction for Phantom Source Localization.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
What we already know about spatialization with compact spherical arrays as variable-directivity loudspeakers.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Perceptual Impact of Gesture Control of Spatialization.
ACM Transactions on Applied Perception,
10
(4):
12
2013.
Evaluating a method for the analysis of performance practices in electronic music.
(
).
International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
.
2015.
Training and Guidance Tool for Listening Panels.
(
).
Fortschritte der Akustik 2010 (DAGA 2010)
.
2010.
Sound Focusing in Rooms Using a Source with Controllable Directivity.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Raumklang.
In
,
Diwan - regionale 2008
Land Steiermark,
graz (Österreich),
2008.
Transferable Acoustics based on Spatial Analysis and Re-Composition.
(
).
ITG Speech 2010 (9. ITG-Fachtagung)
.
2010.
Towards understanding and verbalizing spatial sound phenomena in electronic music.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Localization of 3D Ambisonic Recordings and Ambisonic Virtual Sources.
(
).
Proc. of the International Conference on Spatial Audio 2011 (International Conference on Spatial Audio 2011)
.
2011.
How the perception of moving sound beams is influenced by masking and reflector setup.
(
).
Tonmeistertagung 2018
.
2018.
Die Begegnung mit dem Neuen suchen - 50 Jahre IEM.
In
,
Musikprotokoll
ORF,
Wien (Österreich),
2015.
Horizonte des Hörens - Betrachtungen zur Akustischen Ökologie und zum Sounddesign.
In
,
Reihe Wissenschaft und Kunst: Transmedialisierung
Universitätsverlag Winter,
Heidelberg (Deutschland),
2017.
On the localization of auditory objects created by directional sound sources in a virtual room.
(
).
Tonmeistertagung 2018
.
2018.
Performance Review of an Expert Listening Panel.
(
).
Fortschritte der Akustik 2012 (DAGA 2012)
.
2012.
Sonification of Gesture and Motion: fosotomo.
VDM Verlag Dr. Müller,
VDM Verlag (Deutschland),
2010.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter.
Neue Zeitschrift für Musik,
02
2011.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Challenges and New Solutions for Transfer Path Analysis.
(
).
Proc. ISMA2008
.
2008.
Quantum Harmonic Oscillator Sonification.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
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