Publikationen
Investigations on cylindrical microphone arrays.
(
).
Proc. oft the 4th Ambisonics Sympoisum (25th AES UK Conference: Spatial Audio in Today’s 3D World in association with the 4th International Symposium on Ambisonics and Spherical Acoustics)
.
2012.
An Ambisonics Format for Flexible Playback Layouts.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
(
).
Proceedings of 2017 ICAD
.
2017.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
PATENTSCHRIFT: Method for Determining the Contribution of individual Trasmission Paths.
PATENTSCHRIFT,
Washington (Vereinigte Staaten (USA)),
2009.
Translating Sonifications.
Journal of the Audio Engineering Society. audio, acoustics, applications,
60
(11):
pp. 926-935,
01
2012.
Ambisonic Decoding with Constant Angular Spread.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 928-936,
11
2014.
Ambisonic Decoding with Constant Angular Spread.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 928-936,
04
2014.
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
Efficient Phantom Source Widening.
Archives of Acoustics,
38
(1):
pp. 27-37,
09
2013.
Efficient Transfer Path Analysis for Vehicle Sound Engineering.
(
).
Proc. JSAE (JSAE)
.
2008.
Traffic Noise Annoyance on Roads (TNAR).
(
).
CD ROM
.
2007.
Near- and Far-Field Beamforming Using Spherical Loudspeaker Arrays.
Proceedings of the 3rd Congress of the Alps Adria Acoustics Association (AAAAC)
.
2007.
(
).
Ambisonics Symposium 2009.
private publishing,
Graz (Österreich),
2009.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
Variable-Orientation Binaural Room Impulse Response Rendering.
(
).
Tonmeistertagung 2018
.
2018.
Automatic Mixing for Immersive Teleconferencing Systems.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
A Simple Model of the Far-Field Directivity of an Open Circular Pipe with a Hot Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Soundtransformations based on the Modulation Power Spectrum.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Real-time Auditory Contrast Enhancement.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2019.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
The Temporality of (un|non)selection.
(
).
Proceedings of the Fifth Conference on Computation, Communication, Aesthetics and X (xCoAx 2017)
.
2017.
Production and application of room impulse responses for multichannel setups using FLOSS tools.
(
).
Linux Audio Conference 2013 Proceedings (Linux Audio Conference 2013)
.
2013.
Providing Ground-truth Data for the Nao Robot Platform.
(
).
RoboCup Symposium 2010
.
2010.
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