Publikationen
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Music Structure Discovery.
AV Akademiker Verlag GmbH & Co. KG,
Saarbrücken (Deutschland),
2012.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Media[e]scapes.
Graz architecture magazine. building design, culture art, theory, history, nature practice place, planning technology, media,
5
02
2008.
In-car Active Sound Generation for enhanced feedback in vehicles with combustion engines or electric engines.
(
).
Proc International Conference on Auditory Display 2015 (Proc ICAD 20125)
.
2015.
Audio Quality: Comparision of PEAQ and formal listening test results.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
How Masking Affects Auditory Objects of Beamformed Sounds.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Binaural Floss – Exploring Media, Immersion, Technology.
(
).
Proceedings of the Linux Audio Conference
.
2017.
Constant-Q transform toolbox for music processing.
(
).
Proceedings of 7th Sound and Music Computing Conference
.
2010.
Transaural Stereo in a Beamforming Approach.
(
).
Proc. of the 12th Int. Conf. on Digital Audio Effects (DAFx-09)
.
2009.
Evaluation of an Acoustic Interface for Tremor Analysis.
(
).
Proceedings of the Sound and Music Computing Conference (SMC) (Sound and Music Computing Conference (SMC))
.
2017.
The Audio Mixer as Creative Tool in Musical Composition and Performance.
(Beiträge zur Elektronischen Musik (BEM),
).
private publishing,
Institut für Elektronische Musik und Akustik (Österreich),
2011.
PhysioSonic - movement sonification as auditory feedback.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Comparison of different approaches for calculation of sound radiation from an open pipe with a flow.
(
).
Proceedings ICTCA 2017 (ICTCA 2017)
.
2017.
Auditory Perception of Spatial Extent in the Horizontal and Vertical PLane.
(
).
Proceedings DAFX 2016
.
2016.
SONIFICATION OF A STREAMING-SERVER LOGFILE.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Workload Monitoring Through Speech Analysis: Towards a System for Air Traffic Control.
(
).
Proceedings of the 27th Congress of The International Council of Aeronautical Sciences
.
2010.
Zum Konzept musikalischer Gestik.
(
).
Musiktheorie als interdisziplinäres Fach; Reihe musik.theorien der gegenwart (GMTH-Konferenz 2008)
.
2010.
Perceptual Evaluation of Variable-Orientation Binaural Room Impulse Response Rendering.
(
).
Proceedings of 2019 AES International Conference on Immersive and Interactive Audio (2019 AES International Conference on Immersive and Interactive Audio)
.
2019.
Musical Experience beyond audible Sound.
(
).
ICMC 2012
.
2012.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
Sonification of Climate Data.
(
).
Proceedings of European Geoscience Assembly (Proceedings of European Geoscience Assembly)
.
2013.
Advancements in 3D Audio using Ambisonics.
(
).
TECNIACUSTICA'15
.
2015.
Measurement-Based Modal Beamforming Using Planar Circular Microphone Arrays.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Publikationsjahr
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