Publikationen
Efficient Directivity Pattern Control for Spherical Loudspeaker Arrays.
(
).
ACOUSTICS 08
.
2008.
Text-to-Speech Engine with Austrian German Corpus.
(
).
Proceedings of SPECOM 2009
.
2009.
Idea for Sign-Change Retrieval in Magnitude Directivity Patterns.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Collaborative Design Methods towards Evaluation of a Tangible Interface.
(
).
Proceedings of ICLI 2018
.
2018.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Ereignis. Ephemeres, Flüchtiges.
Wind-Tunnel-Bulletin,
7
02
2018.
Sweet area size for the envelopment of arecursive and a non-recursive diffusenessrendering approach.
(
).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
.
2019.
Improvisation as Epistemic Practice.
(
).
(re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation)
.
2013.
Token of Enunciation in Multimedia Performance.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
REFLECTIONS ON AN INTERDISCIPLINARY DESIGN PROCESS USING A SONIFICATION FRAMEWORK.
Proceedings ICAD 2015 (Proceedings ICAD 2015)
.
2015.
Localization of multiple acoustic sources with a distributed array of unsynchronized first-order ambisonics microphones.
(
).
Proceedings of the 6th Congress of the Alps Adria Acoustic Association (Congress of the Alps Adria Acoustic Association)
.
2014.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Sound Processes: A New Computer Music Framework.
(
).
Proceedings ICMC|SMC|2014
.
2014.
WiLMA-Wireless Largescale Microphone Array.
(
).
Proceedings of the Linux Audio Conference 2014
.
2014.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Source Width of Frontal Phantom Sources: Perception, Measurement, and Modeling.
Archives of Acoustics,
38
(3):
pp. 311-319,
10
2013.
Virtual 3D Environments as Composition and Performance Spaces.
Journal of New Music Research,
02
2019.
PATENTSCHRIFT: Verfahren zum Bearbeiten von Audio-Daten in eine verdichtete Version.
PATENTSCHRIFT,
Österreichisches Patentamt (Wien) (Österreich),
2011.
PATENTSCHRIFT: Dropout Concealment for a Multi-Channel Arrangemnet.
PATENTSCHRIFT,
Washington (Vereinigte Staaten (USA)),
2009.
Spatial Sound With Loudspeakers and Its Perception: A Review of the Current State.
IEEE Signal Processing Letters,
101
(9):
pp. 1920-1938,
12
2013.
A Sub-Band Approach to Modification of Musical Transients.
Computer music journal,
36
(2):
pp. 23-36,
12
2012.
Effiziente und exakte Bestimmung der Übertragungscharakteristiken von Fahrzeugkarosserien.
Automobiltechnische Zeitschrift (ATZ),
pp. 818-825,
03
2009.
Investigation of auditory objects caused by directional sound sources in rooms.
Acta physica Polonica,
128
pp. 5-10,
01
2015.
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